Daytrippin' Beatles Magazine

The Latest Beatles News, Travel, Biography and Discography


Finding the Fourth Beatle: John, Paul, George and their 18 drummers

by David Bedford and Garry Popper

 

fourthbeatle-bookThe Beatles phenomenon is one amazing story that John Lennon tried to sum up by stating: “I met Paul and said, ‘Do you want to join me band?’ and then George joined, and then Ringo joined. We were just a band who made it very, very big.”

That is one of the biggest understatements ever, because it was so much more complicated than that, and the story involves 18 drummers.

Neil Aspinall once said that “the story of the Beatles always seemed to be about John, Paul, George and a drummer.”

When examined closely, that is exactly what happened, yet nobody has concentrated on the story of those drummers, and the crises in the evolution of The Beatles that always seemed to be around losing, or gaining, a drummer.

How many drummers can you count that played with the Fab Three between 1956 and 1970? We have found 18!

In a new book, and forthcoming documentary film, Finding the Fourth Beatle tells the story of The Beatles from 1956-1970 through the 18 drummers, including Colin Hanton, Pete Best and Jimmie Nicol, and some you will not have heard of before. The book and film explore the Beatles’ crises, changes of musical direction, getting a record deal, and finding the drummer who would put the beat into The Beatles: Ringo Starr, the Fourth Beatle.

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The Beatles’ triumph? See how the world reacted to Sgt. Pepper back in 1967

by Trina Yannicos

[This article was originally printed in Daytrippin’ Magazine, Issue 1.]

It was 50 years ago today…

The Beatles released their album, Sgt. Pepper’s Lonely Hearts Club Band, during the “Summer of Love” on June 1, 1967. Sgt. Pepper was unlike any album of its time. It was considered unprecedented in many ways due to the innovative ideas and musical techniques presented on the album.

The album cover, the printed lyrics, the musical composition, the lyrical contents and the overall concept of the album proved upon its release to have a great impact on popular music as well as on the rest of popular culture. Considering the attention it was given through prestigious publications such as Newsweek, Time, The New York Times and The Washington Post illustrates that it was recognized as a significant event in the history of the 1960s.

The music industry honored The Beatles monumental achievement at the GRAMMY Awards given in 1968. Sgt. Pepper won for Best Engineered Album, Best Pop Vocal Album, Best Contemporary Rock and Roll Performance, Best Album Cover and Album of the Year. The album’s revolutionary and brilliant qualities were praised. In 1993, the album entered the GRAMMY Hall of Fame.

Sgt. Pepper was considered the first of its kind in many respects. For example, Sgt. Pepper became one of the first rock albums to eliminate the periods of silence traditionally heard between songs. As a result, the concept of the album was to recreate a concert-like performance of the make-believe Sgt. Pepper’s band.

Also contributing to the uniqueness of Sgt. Pepper was the album cover. It was a collage of The Beatles surrounded by famous historical, literary and entertainment figures ranging from Edgar Allan Poe to Marilyn Monroe to Bob Dylan. Apparently, the Beatles’ record company, EMI, obtained permission from each celebrity to include them on the cover.

Musically, this was an extraordinary album not just because of the complex musical arrangements, but also because of the wide variety of instruments used ranging from an electric guitar to a 41-piece orchestra.
sgt pepper back cover

The lyrics of the songs had a great effect because of the many ways they could be interpreted. Sgt. Pepper marked the first time that the lyrics were printed on the cover of a major pop release. As a result, the printing of the lyrics put a greater emphasis on the meaning of the songs. Consequently, this rock album, which had several different aspects to analyze, received near-unanimous raves and very little criticism.

Throughout the States, it was widely agreed upon that Sgt. Pepper was a superior achievement for The Beatles. Taken along with the Beatles’ previous successes, Sgt. Pepper‘s release created an outpouring of esteemed praise for The Beatles.

In Time‘s cover story (9/22/67), music writer Christopher Porterfield described The Beatles as “messengers from beyond rock ‘n’ roll, they are creating the most original, expressive and musically interesting sounds being heard in pop music.” Meanwhile, in Newsweek (6/26/67), Jack Kroll called them “Britain’s new Poet Laureate.”

The Beatles were being hailed as the greatest in their field, and by some they were being hailed as the greatest humans on earth. According to Philip Norman in his book Shout! The Beatles in their Generation (1981), Dr. Timothy Leary, a famous personality in the hippie movement, claimed that the Beatles were “the wisest, holiest, most effective avatars the human race has ever produced.”

At the same time, the album itself was receiving the highest critical acclaim. According to Norman, The New York Times Review of Books declared that Sgt. Pepper marked “a new and golden Renaissance of song.” Meanwhile, according to Nicholas Schaffner in his book The Beatles Forever (1977), Tom Philips of New York’s Village Voice called Sgt. Pepper “the most ambitious and most successful record album ever issued.”

The majority of critics had a similar positive response to the album. Obviously, the most influential part of the album was the music. In The Washington Post (6/18/67), Carl Bernstein expressed his view of this amazing creation: “The Beatles have managed to create a musical infinity through a miraculous metamorphosis of dozens of Eastern and Western musical ideas, some centuries old, others from our own era and more than a few from the future.” It was the opinion of many critics that Sgt. Pepper was the most amazing rock album to date.

However, the real proof that Sgt. Pepper was an astounding musical achievement rested in the views of other musicians. Surprisingly, in the classical music world, Sgt. Pepper received great praise.

According to Time (9/22/67), classical conductor Leonard Bernstein declared that the song “She’s Leaving Home” was one of the three great songs of the century. Also, Time reported that classical composer Ned Rorem claimed that this song “is equal to any song that Schubert ever wrote.” Rorem also insisted that the best songs on Sgt. Pepper could compare with those by composers Monteverdi, Schumann and Poulenc.

Meanwhile, within the rock world, the reaction was just as great. According to the authors of The Love You Make: An Insider’s Story of the Beatles (1983), after first hearing Sgt. Pepper, The Beach Boys’ Brian Wilson gave up working on his own upcoming album since he believed Sgt. Pepper to be the greatest album ever made and nothing could top it.

If imitation is the highest form of flattery, then The Who and The Rolling Stones greatly admired The Beatles’ Sgt. Pepper. They both took up the challenge of matching it with their albums, Tommy and Their Satanic Majesties Request.

Although the overwhelming response to Sgt. Pepper was positive, there were a few negative responses. According to Schaffner, Richard Goldstein of The New York Times “dismissed most of the songs [on Sgt. Pepper] as pretentious and gimmicky.” On a more severe note, according to Philip Norman, the John Birch Society, an ultra right-wing Christian group, claimed that the Beatles “were part of a Communist conspiracy and their music displayed ‘an understanding of the principles of brainwashing.'”

The BBC expressed their own form of negative response when they banned the song “A Day in the Life” from being played on the British airwaves. They stated that the song was promoting drugs through lyrics such as “I’d love to turn you on.”

Some fans of The Beatles also saw Sgt. Pepper as a prelude to the inevitable commercial exploitation of the counterculture. According to Schaffner, Robert Somma in Crawdaddy criticized The Beatles because “they tidied up the drug scene, made psychedelia as palatable and mind-blowing as Congress.” Nonetheless, these criticisms were among the few that appeared amidst the plethora of praise for Sgt. Pepper.

Not only did Sgt. Pepper promote good and bad reviews for itself, but it created a new form of criticism for all rock albums which came thereafter. Following the strong reaction to Sgt. Pepper, serious critical reviews on rock albums came into existence. Prestigious publications started including commentaries on The Beatles and rock music in their issues. Until then, the only source of rock journalism came from fan magazines and the underground press. After Sgt. Pepper, a whole new genre of critical review emerged leading to the birth of magazines such as Rolling Stone and Crawdaddy.

The majority of America looked favorably on the release of Sgt. Pepper. The most enthusiastic were the youth of America or the counterculture. With the release of Sgt. Pepper, the youth of the sixties believed that the Beatles were the spokesmen for the counterculture. The hippies studied and dissected the album, believing that it held prophecies, messages and signs for them.


Besides the supposed drug messages in the lyrics, the hippies also interpreted some songs to be a put down of their parents. According to Porterfield, “She’s Leaving Home,” with its story about a teenage girl who runs away from home, was thought of as an anthem for the younger generation. As reported in Time, one 15-year-old hippie commented that the Beatles were “saying all the things I always wanted to say to my parents and their freaky friends.”

According to Jon Wiener in his book Come Together: John Lennon in His Time (1984), Robert Christgau, a writer for the music magazine Cheetah, claimed that Sgt. Pepper served as a “catalyst for the entire youth movement.” Sgt. Pepper was considered to be the perfect soundtrack for the “Summer of Love.” It managed to express almost every aspect of the merging youth subculture.

The cover story in Time (9/22/67) summarized the main messages the album relays: “tension between the generations, the loneliness of the dislocated ’60s, and the bitter sweets of young love in any age.” The youth movement could strongly identify with these messages.

Not only did the younger generation respond to Sgt. Pepper, but for the first time the older generation took a serious look at the Beatles and their music. Sgt. Pepper caused many adults, including parents, professors and business executives, to start taking the Beatles and rock music seriously. It was the first rock album that many people bought, and consequently, average adults started to formulate their own views on the Beatles’ music.

According to Time, Tom Leland, an Atlanta psychiatrist, stated that on Sgt. Pepper the Beatles were “speaking in an existential way about the meaningless of actuality.” Also reported in Time, Robert Tusler, a teacher of 20th century music at UCLA, declared that The Beatles “made an enormous contribution to electronic music.”

Some adults proclaimed that with the release of Sgt. Pepper, popular music had progressed into an art form. According to Time, musicologist Henry Pleasants declared, “The Beatles are where music is right now.”

This sudden change in perspectives on rock music may have been strongly influenced by the gradual progression of the Beatles’ music. The sharp contrast from the Beatles’ earlier music to the later music of Sgt. Pepper was a drastic change from simplicity to complexity. This metamorphosis, which also reflected the changing of the times, resulted from The Beatles desire to grow, experiment and expand their horizons.

This progression caused people to recognize the dramatic effect of popular music as art. Jack Kroll of Newsweek compared the Beatles to other artistic writers: “…loss of innocence is, increasingly, their theme and the theme of more ‘serious’ new art from the stories of Donald Barthelme to the plays of Harold Pinter.”

Sgt. Pepper’s Lonely Hearts Club Band definitely set a new standard of achievement in popular music due to the immense positive response it received almost everywhere. As Jim Hoagland declared in The Washington Post in 1967, “music may never be the same again.” And it wasn’t.

In 1987, on its 20th anniversary, it was voted the greatest album of all time by a worldwide panel of critics. Looking back on the album in retrospect, it obviously had weaknesses. Richard Harrington claimed in The Washington Post in 1987 that the only songs that hold up well are: “With A Little Help From My Friends,” “She’s Leaving Home,” “Getting Better” and “A Day in the Life.” However, he still agreed that the album had tremendous influence over the music industry and the American public.

The music industry changed in several ways after the release of Sgt. Pepper. Since the album took four months to make at a cost of approximately $100,000, the record business began its transformation into a billion dollar industry. Consequently, the album format was emphasized, and recording and marketing techniques were reshaped. After Sgt. Pepper introduced the idea of a “concept album”, this idea was widely imitated. Also no respectable rock star would ever again put out a dull album cover.

Immediately following Sgt. Pepper, there was an unprecedented amount of freedom of expression in rock songs. Due to the acceptance of rock as art, every major album could expect to be critically analyzed and examined like a new novel. This criticism is still prevalent today in such magazines as Rolling Stone, which also celebrates its 50th anniversary this year.

Sgt. Pepper also inspired a new age of studio experimentation and lavish productions. It is generally recognized that with Sgt. Pepper, the Beatles reached their peak in regards to experimentation and influence. This album was definitely seen as a turning point in the music industry.

Concerning American society, Sgt. Pepper also had a great influence. The music seemed to distill the moods of that time. It opened up the eyes of the people, young and old. The album accurately personified the psychedelic sixties. It reflected the beliefs and thoughts of the people, especially the youth.

Landgon Winner wrote in The New Yorker about the feeling evoked by the release of Sgt. Pepper: “The closest Western Civilization has come to unity since the Congress of Vienna in 1815 was the week the Sgt. Pepper album was released. For a brief while, the irreparably fragmented consciousness of the West was unified, as least in the minds of the young.”

Will there ever be another album/CD that will have as enormous an impact as Sgt. Pepper did? Judging from the 50 years since Sgt. Pepper‘s release, that seems highly doubtful.

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Copyright Daytrippin’. No part of the article text may be reprinted without permission from the author.

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John Lennon may have never started his first band, The Quarrymen, without best friend Pete Shotton

John Lennon Quarrymen

Sad news in the Beatles community to hear that Pete Shotton, John Lennon’s best friend growing up, died on March 24, 2017. He was 75 years old, born in 1941 – surprising that he was one year younger than John Lennon, since they were best friends in school.

Pete and John met in Sunday school when they were respectively, 6 and 7 years old. They also lived close to each other in Liverpool. They formed a small rowdy group of boys from the neighborhood which also included Nigel Whalley and Ivan Vaughn, who would play a pivotal role in Beatles history when he introduced Paul McCartney to John Lennon in 1957.

John and Pete’s childhood and teenage friendship, which lasted through high school and adulthood, was depicted in the film, Nowhere Boy, which showed how John was the instigator of the two:

John Lennon insisted on Shotton’s participation as a member of his first band, The Quarrymen skiffle group. Pete was assigned the washboard. It wasn’t so much Shotton’s musical ability (which was lacking) but more having the support of his friend in the band. In fact, without Pete, John may have never pursued starting the group.

According to Pete: “Had I categorically said no, John would almost certainly have shelved the whole idea of forming a group… I don’t mean to imply that there was anything special about me… It’s just that John and I were so inseparable at the time, it would have been inconceivable for either of us to get involved in something the other wasn’t keen on doing.”

John Lennon and Pete Shotton

Although Pete’s time with Quarrymen only lasted a year, he became an invaluable eyewitness to history. He observed John’s relationship with his birth mother, Julia, for several years before she died when John was 17. Pete was also the one who officially asked a 15-year-old Paul McCartney to join the Quarrymen.

In his insightful book about his friendship with John Lennon, Shotton recounts all the early rock and roll influences that John Lennon experienced. His book is regarded as one of the 10 best Beatles books of all time according to Rolling Stone.

Pete Shotton bookThe original title of Shotton’s book was John Lennon In My Life. It first came out in 1983 and was then re-issued a year later as The Beatles, Lennon and Me. It was co-written with Nicholas Schaffner, who was also the author of the great book, The Beatles Forever.

In his book, for example, Shotton offers behind-the-scenes truths of how The Quarrymen members evolved into The Beatles. Since Pete was one of the few people that was extremely close to John, he was able to offer insights into Lennon’s psyche.

“Neither Paul nor George would have lasted very long in John’s band… had John not come to like them so much as people,” Shotton explained. “Most of the other original members were gradually frozen out of the picture, not so much for lack of musical promise, but simply because John found them a bore.”

After Lennon became a superstar, he still maintained his friendship with Shotton, who was also there when John began his relationship with Yoko. Pete describes when the couple spent their first night together in this interview he did in the 1980s:

The last time Pete saw John was in the summer of 1976 when he visited with John and Yoko in New York City.

Reacting to John’s shocking murder in 1980, Shotton wrote in his book, “What a life.” Then on the next page which is the end of the book, he wrote: “What a fucking ending.”

Sean Lennon posted a photo on Instagram about Shotton’s passing:
https://www.instagram.com/p/BSCD_fkja2e/
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The Beatles first visit to New York City in 1964: A Day by Day Diary

At 1:20 pm on Friday, February 7, 1964, The Beatles landed in America for the very first time, and music history would never be the same. It would be a busy weekend for The Beatles leading up to their historic debut on “The Ed Sullivan Show” on Sunday night as they took New York City by storm.

beatlesny-feb71964

FRIDAY, FEBRUARY 7

After The Beatles landed at JFK airport to thousands of screaming fans, they held a short press conference at the airport. They charmed the press with quick-witted answers like:

Question: Will you sing for us?
John Lennon: No, we need money first.

Question: Do you ever get a haircut at all?
George Harrison: I had one yesterday.

Question: Why does your music excite people so much?
John Lennon: If we knew, we’d form another group and be managers.

The Beatles were then whisked away to The Plaza Hotel (Fifth Avenue at Central Park South) in Manhattan. When the Beatles first arrived at the hotel on February 7, 1964, at least 50 policemen were needed around the hotel to try and keep the hordes of fans in line.

The Beatles were taken to the Presidential Suites on the 12th floor (rooms 1209 through 1216). With the chaotic scene and mass pandemonium created by the fans in front of the hotel, The Plaza management was shocked to learn that the reservations made for these “English businessmen” were actually the Beatles.

first_us_visitInside the Plaza Hotel, The Beatles watched news reports about themselves on television and conducted phone interviews with local radio DJs including Murray the K. This was documented in the exceptional film by The Maysles Brothers, The Beatles First US Visit.

[Note: After the mayhem of The Beatles first U.S. visit, the Plaza Hotel management did not want the Beatles to return. In subsequent visits to New York, The Beatles would stay at The Warwick Hotel.]

SATURDAY, FEBRUARY 8

The next day, Feb 8, George Harrison had strep throat and stayed in bed. His sister, Louise, came to the hotel to take care of him.

While George was sick in bed, John, Paul and Ringo entertained reporters for a photo shoot in Central Park followed by many fans. They took a horse and buggy ride, posed on rocks by a lake, and had lunch at the boathouse.

beatles_heads horse-nydailynews

The threetles also went for a rehearsal at the Ed Sullivan show studio (1697 Broadway), now home to CBS’ “The Late Show with Stephen Colbert.” Since George was sick, road manager Neil Aspinall stood in for him, as can be seen in many photographs.

That night, John, Paul and Ringo went to the 21 Club restaurant (21 W. 52nd Street) for a dinner party hosted by Capitol Records. After dinner, they were given a car tour of Manhattan to see NYC landmarks including the U.N. building, the Empire State Building, Broadway and Times Square, according to author Bruce Spizer.

SUNDAY, FEBRUARY 9

The day of the Beatles television performance there were thousands of teenage fans waiting up and down Broadway trying to get a glimpse of the Beatles entering and leaving the studio. Even though there were 50,000 requests for tickets to the show, there were only 728 seats available inside. Watching the Beatles’ performance that night in the studio audience were John’s wife, Cynthia Lennon and George’s sister, Louise Harrison.

A record 73 million people watched that night. The Beatles’ sang five songs in two separate segments including “All My Loving”, “Till There Was You”, “She Loves You”, “I Saw Her Standing There” and “I Want To Hold Your Hand”. The Beatles made such an impact with their historic live appearance that it launched Beatlemania in the U.S. which still endures to this day.

Earlier that day on February 9, The Beatles taped another performance for “The Ed Sullivan Show” which was shown on Sunday, February 23 after the Beatles had returned to England. On Sunday, Feb. 16, The Beatles appeared on the show again live from Miami, Florida. All of The Beatles appearances on the show are included on the DVD set, The 4 Complete Ed Sullivan Shows starring The Beatles.

After the show, The Beatles celebrated by first going to The Playboy Club (59th street and Fifth Avenue) conveniently located across the street from The Plaza Hotel. Paul McCartney commented: “I think the Bunnies are even more lovable than we are.”

Next, The Beatles went to the Peppermint Lounge. Just like a scene from A Hard Day’s Night, Ringo Starr danced the night away as John and Paul grooved from their seats.

MONDAY, FEBRUARY 10

Beatles MagazineOn February 10, 1964, Capitol Records president Alan Livingston presented the Beatles with gold records for “Meet the Beatles” and “I Want to Hold your hand” at the Plaza Hotel.

Several press conferences were held inside the Terrace and Baroque rooms of the hotel that day for the media. One member of the press who interviewed The Beatles that day was celebrity psychologist, Dr. Joyce Brothers.

After a full afternoon of interviews, the Beatles hosted a cocktail party for members of the press at the Plaza.

In just a brief four-day visit, The Beatles had conquered America. They were due to stay in America for another 10 days to perform their first U.S. concerts and appear for a second time on “The Ed Sullivan Show” live from Miami.

***
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Remembering The Beatles’ early days with the late manager Allan Williams and promoter Sam Leach

Not only did The Beatles’ community lose record producer, George Martin, in 2016, but also two businessmen that helped The Beatles in the early days of their career. Allan Williams, The Beatles’ first manager, died on December 30 at the age of 86 and Sam Leach, Liverpool concert promoter, died on December 21 at the age of 81. Both local Liverpool businessmen were involved in The Beatles career in the early 1960s just before Brian Epstein came onto the scene.

allanwilliams-jacaranda
In the early days of The Beatles in Liverpool, John, Paul, George and Stuart Sutcliffe used to hang out at the Jacaranda club owned by Allan Williams. Stuart had painted murals for the basement of the club. Of all the lads, Stuart was closest with Williams, and as a result, he let the group perform and rehearse at the club.
In May 1960, Allan Williams became their first booking manager. He got them gigs often in rough parts of town where Teddy Boys used to frequent. In July 1960, they played at an illegal strip club owned by Williams.

In August 1960, Allan Williams got the Beatles their initial gig in Hamburg, Germany. Many groups from Liverpool were finding success in Hamburg, so the Beatles jumped at the chance.

“If it hadn’t been for Hamburg, there would be no Beatles,” Williams declared in a 1980s interview. “The work there was so fantastically hard. They would work 7 nights a week. Sometimes they would open at 7:00 (pm) and 3:00 in the morning, they’d still be on stage. And people say to me, ‘Alan, tell us the secret of how to be a Beatle.’ I say, ‘Go to Germany for 6 months, work 7 nights a week, 8 hours a night, and then come back and ask me the same question.”

However, during the time of The Beatles’ second trip to Hamburg in the Spring of 1961, their relationship with Allan Williams fell apart. Williams claimed that The Beatles never paid him his commission for booking them in Hamburg.

“The second time I sent them to Hamburg I got a phone call from Stu Sutcliffe,” Williams recalled. “He said ‘John has decided we shouldn’t pay you a commission because we got the job second time round’.

Since they had been able to arrange the gig at The Top Ten Club on their own, they told Williams they no longer needed his services. Williams was furious. He threatened to take legal action against them, but in the end, he let them go.

samleach-beatlescEnter Sam Leach. Leach was a Liverpool concert promoter. He would book over 40 gigs for The Beatles starting in early 1961 at clubs like The Cassanova Club and The Tower Ballroom. (Leach is pictured in the front with George and John)
 

“The first time I saw them, I realized how good they were,” Sam Leach recalled. “They were the best rock band on the planet at that time and I told them so. I said ‘One day you’ll be as big as Elvis’. John Lennon laughed and said ‘We’ve got a right nutter here, Paul’.”

Leach also sponsored “Operation Big Beat”, a mega-show that featured up to 5 rock and roll bands in one night. The Beatles first performed at Operation Big Beat in November 1961 as the headliner.

Sam Leach says he had a verbal agreement to be The Beatles manager, solidified with a handshake. But when Brian Epstein came into the picture, The Beatles decided to go with Brian instead.

“1961 was their [The Beatles] best year for rock and roll,” Sam Leach said, “because Brian sort of smoothed them up and changed their image a little bit and became more pop, but as a rock band they were supreme.”

Both Williams and Leach wrote books about their experiences with The Beatles:
The Birth of The Beatles by Sam Leach

***
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Why Elvis Presley dissed The Beatles to President Nixon

Don’t believe what you hear in the recent Elvis & Nixon film regarding The Beatles. This “comedy” about the infamous meeting between The King of Rock and Roll and President Nixon at the White House unfortunately  enforces false stereotypes about how Elvis felt about The Fab Four.

elvis meets nixon

“What do we have on this guy?” Nixon asks his aide in the Elvis & Nixon trailer.

“He’s one of the most famous men on this planet,” the aide explains. “Loves guns, hates The Beatles.”

While it’s true that Elvis did say some disparaging remarks about The Beatles to Nixon, it wasn’t all cut and dried as to what motivated him to say it.
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Elvis had a spontaneous impulse while flying to Washington DC to try to meet President Nixon. It was December 1970 and Elvis was still troubled by the traumatic experience a few months earlier of receiving a specific threat to end his life by an anonymous person during one of his concerts in Las Vegas.
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Fueled by his passion for guns and police badges, he thought that a trip to DC could help him get an official Federal Agent Narcotics Badge. During the plane ride, Presley wrote an impassioned letter to the President requesting a meeting. Written on American Airlines stationery, the five-page letter also expressed Elvis’ desire to help with the war on drugs.
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Here’s an excerpt: “The drug culture, the hippie elements, the SDS, Black Panthers, etc. do not consider me as their enemy or as they call it the establishment. I call it America and I love it. Sir, I can and will be of any service that I can to help the country out. …I can and will do more good if I were made a Federal Agent at Large and I will help out by doing it my way through my communications with people of all ages.”

As Jerry Schilling, long-time friend of Elvis who accompanied him on the trip, explained: “He had lived the American dream and wanted desperately to be able to give something back to the land that had made his wonderful life possible. He didn’t consider his years of army duty to have settled the debt. He was going straight to the highest authority in the country to try to find a way to use some of his power in a constructive way.”

The letter, which Presley personally delivered to White House security guards after arriving on a red-eye flight, set off a chain of events that hours later had the “King of Rock ‘n’ Roll” shaking hands with the most powerful man in the world. Security prevented Presley from presenting the President with his unique gift, a World War II-era Colt 45 pistol, but Nixon’s aides accepted it on his behalf.

At 12:30 pm on December 21, 1970, Elvis Presley was welcomed into the Oval Office of the White House. According to Egil Bud Krogh, Deputy Counsel to the President, who was present at the meeting, Presley quickly began trying to convince Nixon that he was “on his side, that he wanted to be helpful and that he wanted to restore some respect for the flag which was being lost.”

To justify his position, Presley specifically named The Beatles as a threat to America’s youth. The White House meeting notes describe this exchange:

“Presley indicated that he thought the Beatles had been a real force for anti-American spirit. He said that the Beatles came to this country, made their money, and then returned to England where they promoted an anti-American theme.

The President nodded in agreement and expressed some surprise. The President then indicated that those who use drugs are also those in the vanguard of anti-American protest. Violence, drug usage, dissent, protest all seem to merge in generally the same group of young people.”

While Beatles fans may see that as an outright attack on The Fab Four, it is not likely that Elvis had it out for The Beatles. According to Jerry Schilling, Elvis “loved The Beatles.” Schilling explained that Elvis was just trying to look more patriotic to the President and, in effect, used The Beatles as a scapegoat.

In an interview in 1969, Elvis praised The Beatles to a British reporter: “They’re so interesting and so experimental,” Elvis said. “But I liked them particularly when they used to sing ‘She was just seventeen. You know what I mean.'”

Presley gave The Beatles the most flattering compliment of all when he sang several of their songs during his live shows in later years, including “Something” during his 1973 Aloha from Hawaii concert.

Whatever Elvis’ real motive for calling out The Beatles in this historic meeting, the end result was in his favor. He received a Federal Agent Narcotics badge from President Nixon.

As The Washington Post reported: “‘See that he gets it,’ the President directed his top enforcement adviser, Egil (Bud) Krogh. Unable to suppress his excitement, Elvis hugged the startled Nixon.”

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Note: But the story doesn’t end there.

The new book, ELVIS: Behind The Legend: Startling Truths About The King of Rock and Roll’s Life, Loves, Films and Music, reveals the real reason why Elvis wanted to fly to Washington DC in the first place.

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New online course traces The Fab Four’s origins from Quarrymen to Beatles

Universities around the globe are offering classes on The Beatles for hundreds and thousands of dollars per semester – but what about the rest of us? What are your options if you’re not in school, or you can’t attend the location where the class is being offered?

To solve this dilemma, Daytrippin’ School of Rock History now brings the college class into the homes of Beatles fans around the world in the form of an online community. Accessible 24/7 from your laptop, tablet or smartphone, music lovers can go deeper into the study of The Fab Four and how they created their music.

In a curriculum that spans a course of 6 weeks, Daytrippin’ is offering their first online course called The Early Beatles: How The Fab Four Came Together. The course offers detailed lectures that illustrate key insights into Beatles history, filled with in-depth reporting, audio and video examples and exclusive interviews with musicians, industry insiders and experts of music history.

Daytrippin’ publisher and course instructor Trina Yannicos is excited to offer Beatles fans a chance to share ideas and learn fascinating discoveries online for much less than it would cost to take a college class.

In The Early Beatles class, you’ll learn the history of the early Beatles from 1956 to 1962 — from the formation of The Quarrymen to The Beatles’ first recording session at Abbey Road Studios.

The Beatles recording career has been well documented but what about the period before The Beatles got a record contract and hit it big?

“Without Elvis, there would be no Beatles,” John Lennon stated matter-of-factly in a 1980 interview.

You love The Beatles’ music, but do you really know what inspired The Beatles and how the group was formed?

To truly appreciate The Beatles and their music, you need to understand the group’s origins and the impact that Presley and other rock and roll artists had on the group.

In The Early Beatles course, you’ll go back in time to the 1950s and watch the transformation of John, Paul, George and later Ringo take place from the formation of The Quarrymen to The Beatles’ first recording session at Abbey Road Studios.

Who were the key players in the early days of The Beatles? How did Stuart Sutcliffe and Pete Best change the course of Beatles history? Who were The Beatles managers before they met Brian Epstein?

Over a six-week period, we’ll explore in-depth the history of the early Beatles from 1956 to 1962 with fascinating insights from those who were there including John Lennon’s best friend, Pete Shotton; Beatles fan club secretary Freda Kelly; the boys’ close friend in Germany, Astrid Kirchherr; and more.

Elvis represented the pinnacle of success in rock and roll, and he set the model for The Beatles’ achievement of success. The goal of becoming “bigger than Elvis” helped propel the band into worldwide fame which in many ways surpassed The King.

In only 6 weeks, you can become an expert on The Early Beatles learning in-depth details about how the group was formed, what inspired them and what obstacles they faced along the way.

Get a sneak peak at the course with exclusive access to our FREE PREVIEW – where you can view a sample lesson from the course.

Click here to get access to the FREE PREVIEW of The Early Beatles Course

Or Sign up early and get $10 off

 

This course is brought to you by Daytrippin’ Magazine, the most FAB Beatles journalism online! For over 18 years, Daytrippin’ has offered in-depth interviews and exclusive Beatles articles you won’t find anywhere else.