Daytrippin' Beatles Magazine

The Latest Beatles News, Travel, Biography and Discography

New online course traces The Fab Four’s origins from Quarrymen to Beatles

Universities around the globe are offering classes on The Beatles for hundreds and thousands of dollars per semester – but what about the rest of us? What are your options if you’re not in school, or you can’t attend the location where the class is being offered?

To solve this dilemma, Daytrippin’ School of Rock History now brings the college class into the homes of Beatles fans around the world in the form of an online community. Accessible 24/7 from your laptop, tablet or smartphone, music lovers can go deeper into the study of The Fab Four and how they created their music.

In a curriculum that spans a course of 6 weeks, Daytrippin’ is offering their first online course called The Early Beatles: How The Fab Four Came Together. The course offers detailed lectures that illustrate key insights into Beatles history, filled with in-depth reporting, audio and video examples and exclusive interviews with musicians, industry insiders and experts of music history.

Daytrippin’ publisher and course instructor Trina Yannicos is excited to offer Beatles fans a chance to share ideas and learn fascinating discoveries online for much less than it would cost to take a college class.

In The Early Beatles class, you’ll learn the history of the early Beatles from 1956 to 1962 — from the formation of The Quarrymen to The Beatles’ first recording session at Abbey Road Studios.

The Beatles recording career has been well documented but what about the period before The Beatles got a record contract and hit it big?

“Without Elvis, there would be no Beatles,” John Lennon stated matter-of-factly in a 1980 interview.

You love The Beatles’ music, but do you really know what inspired The Beatles and how the group was formed?

To truly appreciate The Beatles and their music, you need to understand the group’s origins and the impact that Presley and other rock and roll artists had on the group.

In The Early Beatles course, you’ll go back in time to the 1950s and watch the transformation of John, Paul, George and later Ringo take place from the formation of The Quarrymen to The Beatles’ first recording session at Abbey Road Studios.

Who were the key players in the early days of The Beatles? How did Stuart Sutcliffe and Pete Best change the course of Beatles history? Who were The Beatles managers before they met Brian Epstein?

Over a six-week period, we’ll explore in-depth the history of the early Beatles from 1956 to 1962 with fascinating insights from those who were there including John Lennon’s best friend, Pete Shotton; Beatles fan club secretary Freda Kelly; the boys’ close friend in Germany, Astrid Kirchherr; and more.

Elvis represented the pinnacle of success in rock and roll, and he set the model for The Beatles’ achievement of success. The goal of becoming “bigger than Elvis” helped propel the band into worldwide fame which in many ways surpassed The King.

In only 6 weeks, you can become an expert on The Early Beatles learning in-depth details about how the group was formed, what inspired them and what obstacles they faced along the way.

Get a sneak peak at the course with exclusive access to our FREE PREVIEW – where you can view a sample lesson from the course.

Click here to get access to the FREE PREVIEW of The Early Beatles Course

Or Sign up early and get $10 off


This course is brought to you by Daytrippin’ Magazine, the most FAB Beatles journalism online! For over 18 years, Daytrippin’ has offered in-depth interviews and exclusive Beatles articles you won’t find anywhere else.


‘Elvis: Behind the Legend’ reveals behind-the-scenes Beatles stories

Editor’s note: In honor of the anniversary this month of “When Elvis met The Beatles” we are posting this review of the book (written by the editor of Daytrippin’) that was released last year which contains many Elvis/Beatles stories.

Book review
by Shelley Germeaux,
The John Lennon Examiner

The new book, Elvis, Behind the Legend: Startling Truths About the King of Rock and Roll’s Life, Loves, Films and Music by Trina Young, reveals many surprising new stories and viewpoints about Elvis Presley’s life, including several about his association with the Beatles. Young does not attempt to re-write Elvis’ biography, but instead focuses on several behind-the-scenes revelations that few know about, even seasoned experts. The stories are sure to alter the reader’s perception of the man behind the title, “The King of Rock and Roll.”

Elvis: Behind The LegendThe John Lennon Examiner has received a digital copy of the book from the author, and found it to be incredibly enlightening, enjoyable, and as the subtitle suggests, “startling.” The author wrote, “Often taking a back seat with historians to The Beatles in terms of rock and roll influence, Presley’s legacy has been marred by misconceptions of the man as an entertainer and human being.” As most Beatles fans are aware, Elvis was John Lennon’s biggest hero, the one he emulated, the one he idolized—until Lennon was bemused with Elvis’ career after spending two years in the Army.

At 145 pages, each of the thirty-two chapters brings to life a different story, written chronologically throughout his life. To name just a few, the book begins with a revelation concerning his speech impediment, a fact that is not well-known. The identity of the mystery woman behind the famous 1956 photo called “The Kiss” is revealed, and how Elvis is responsible for making the Arizona Memorial in Pearl Harbor a reality. Readers will learn about the secret girlfriend he was going to see in Washington, when he inevitably met with President Nixon.

Young points out that Elvis developed a private spiritual life, and connected with gurus long before the Beatles made their association with the Maharishi so public. His association with the Beatles is addressed in several chapters, shedding light on various aspects, such as: the difference in earnings from their appearances on The Ed Sullivan Show, the day The Beatles met Elvis in 1965 at his home in L.A., and the truth behind his “grudge” against the band. The disparaging statements he made to President Nixon about the Beatles—something fans have been angered by for years– are explained from a different vantage point.

In addition, included in the appendix is a comparison of record sales between Elvis and the Beatles, which may surprise fans of both. The book is well-researched, with a sizable bibliography, and a great read. The John Lennon Examiner recommends this book for Beatles and Elvis fans alike. It is an enjoyable and fun read that will shift readers’ perceptions about “The King of Rock and Roll” for the better.

See the official website for Elvis: Behind the Legend. The paperback and kindle editions can be purchased on Amazon.

Follow Shelley Germeaux on Twitter and Facebook


Historical Beatle gems hidden among vast display at GRAMMY Museum’s new fab exhibit

by Trina Yannicos
2 entrance photos*


Originally launched in 2014 in New York City to celebrate the 50th anniversary of The Beatles first visit to the U.S., the “Ladies and Gentlemen… The Beatles!” exhibit has finally made its way to the West Coast. The GRAMMY Museum, which curated the exhibit along with the avid memorabilia collectors of Fab Four Exhibits, opened the exhibit in Los Angeles on July 1, and it will be on display through September 5, 2016.

The exhibit focuses on the years 1964 to 1966 and The Beatles’ influence on America. Along with countless big and small memorabilia items are interactive displays, audio interviews, concert video clips and a short film shown in the Clive Davis Theater featuring musicians, including Ringo Starr, Graham Nash, Petula Clark and Ozzy Osbourne, talking about the impact of The Beatles.

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The big ticket items in this exhibit include Ringo’s Abbey Road jacket, Paul McCartney’s Shea Stadium jacket, Ringo’s black suit from A Hard Day’s Night, and the Beatles’ drumhead which was given to Madame Tussauds Wax Museum in London in April 1964 when wax figures of The Beatles were made.

While we’ve come to expect most rock and roll exhibits to display original instruments and clothing used by the musicians, it’s the little things that make this exhibit shine and showcase its sincerity and authenticity. For example, an original program from the Beatles’ Carnegie Hall concerts on February 12, 1964 lists Paul McCartney’s name incorrectly as “John McCartney.”

Another unique item is the official proclamation when The City of New Orleans declared “Beatles Day in New Orleans” on September 16, 1964, which coincided with The Beatles’ concert there that same day. All four Beatles signed the proclamation.
The exhibit also includes memorabilia from The Beatles’ early days in Liverpool and Hamburg. A personal letter written by George Harrison in 1962 when The Beatles were in Hamburg showcases the wit and humor of the “quiet” Beatle:
“Thank you for the. We are all still very in Hamburg as the. I started a letter to you on Thursday but it seemed to get a bit ‘you know’, so I have decided to write another.”

Other items of note include the first pair of “granny” glasses that John Lennon ever wore and a lock of John Lennon’s hair given to a fan at a concert in August 1963. John Lennon signed his autograph: “Love from ‘Bald’ John Lennon.”

The exhibit also features a large display of Beatles merchandising products including Beatles coloring books, coin purses and more from 1964 in their original packaging.
There is much to see at this exhibit. Reserve at least two hours to take it all in. And, on your way out, make sure to get your photo while crossing Abbey Road in London with the help of a virtual scenic backdrop – luckily this photo op doesn’t require dodging the traffic!
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George Martin rare 1998 interview provides valuable Beatles insights

Legendary producer for the Beatles, Sir George Martin, passed away on March 8, 2016 at the age of 90. He played such an integral role in the music of The Beatles that many regard him as the “fifth” Beatle.

In 1999, Sir George released an album called In My Life which was a collection of Beatles songs covered by different artists. Produced by Martin, the album features songs by many A-list celebrities including Robin Williams, Jim Carrey, Celine Dion, Goldie Hawn, Sean Connery and Phil Collins.

georgemartin-inmylifeCDTo promote the album, George Martin did an extensive interview with Beatles historian, Martin Lewis in 1998. The audio interview and transcript was released to the media to help publicize the In My Life album in 1999. This interview with Sir George provides great insight into his work with The Beatles.

Here is a brief excerpt:

Q: So there you are in 1962, something happened then that changed everything for you – you met Brian Epstein, who managed The Beatles. Tell me about that.

George Martin: Brian Epstein brought along a tape of a group that he called the most unlikely name of The Beatles, a very corny name I thought, and [the tape] was not very good, in fact it was awful. But it did have something, it had a sound that was very rough and raw. The songs weren’t anything to write home about. My reaction to him – he was very persuasive, he was convinced “this is going to be the best group ever. They’d been in Germany, they’re turning people away when they’re doing gigs.”

He didn’t tell me that he’d been to every other record company in the country, and been turned down by every record company. If I had known that, I would have chucked him out the door, but I listened very politely to him, he was a very nice man, very persuasive. And I said, “If you want me to judge it on this I would have to say never, but if you like I will give these characters some time. If you bring them down from Liverpool, I will take them into the studio and I will see what we can do with them, and then I’ll tell you if they’re any good or not.”

But when The Beatles came down, we spent an afternoon in the studio together and that was quite different.

Q: In what way was it different when they actually came into the studio in June 1962?

George Martin: They had tremendous charisma, these four boys. At least three of them did. The guy who played drums [Pete Best] was very good-looking but he didn’t say much and just kept very quiet in the background. But the other three were full of life and joking around with each other…

The songs they played me weren’t terrific, they were OK, but there wasn’t a hit I could hear. “Love Me Do” was about the best. But they had that quality which made you feel good. And I thought to myself, well if they make me feel good, and I’m a pretty hard, cynical bloke, they’re going to make other people feel good too. And therefore they have that charisma which is necessary for success…

This was the time also, it’s been much repeated, when I brought them into the control room to listen to what we’d been doing to their sound to see whether they thought the balance was right with what they’re used to hearing. And I said, “Have a listen to this and if there’s anything you don’t like, let me know.” Of course, George, the smart-ass that he was, said, “Well for a start, I don’t like your tie.” The others thought I would be offended by this, but it broke the atmosphere. It was very funny.
Q: Do you think you had the midas touch?

George Martin: I didn’t analyze my technique. To begin with, my main role was shaping and helping with instrumentals, helping with introductions, helping with the way it rounded off at the end. In a song like “Can’t Buy Me Love” for example, I took a phrase out of the chorus and turned it into an introduction.

When Paul first brought me the song, he started it off [imitates music] ba-da-da-da-da at the beginning of the song, and I said we need something more hooky than that, something to grab your attention. Which is why I took out “Can’t Buy Me Love” and constructed a beginning by repeating the hook into an introduction which seized upon your mind. You had to sell things quickly in those days.

Q: Did The Beatles take very happily to you making these suggestions in the first place or were they initially a little surprised that this slightly older person had ideas that melded so well with their own?

George Martin: The Beatles were very collaborative. I suppose they had to be. But no, there was no problem with them because they knew the formulas were working. They could see that anything we were doing together was the right way to do it. You can’t argue with number one.
Q: There was always the misnomer that John always described himself as a rocker, and yet it was he who wrote songs such as “Julia” and “In My Life” and people say “oh Paul, he wrote all those romantic ballads,” but he also wrote “Helter Skelter.”

George Martin: Paul and John were extraordinarily similar, and yet they were extraordinarily different. They were a perfect match because their collaboration was competitive and they both did the same things very well… But they were both geniuses. In my book, they were equal geniuses. One was not above the other in any way, they were both superb.
Note: This was just a tiny excerpt from the lengthy, in-depth interview with George Martin. The extended transcript (filling six 8.5 X 11 pages) of this insightful interview was printed in Daytrippin’ Magazine, Issue No. 7 from 1999, which is now available in electronic format at this link:
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Other articles you might have missed:
When Elvis met The Beatles, was there a secret reporter present?

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When Elvis met The Beatles, was there a secret reporter present?

Journalists Chris Hutchins and Ivor Davis battle over Beatles history

By Trina Yannicos

The most legendary meeting in rock and roll history between Elvis Presley and The Beatles took place on August 27, 1965 with one caveat – absolutely no photos or recordings allowed! But did that also mean that there were not any reporters or journalists present?

It is well known that there were no official photos taken of the meeting or any recordings made during the alleged “jam” session. However, music fans may be surprised to learn that there was one British journalist present inside the house when The Beatles met Elvis.

The request for no photos was made by Presley’s manager, Colonel Tom Parker, when finalizing the details of the meeting with The Beatles’ manager, Brian Epstein. The Beatles were happy to comply with this. They didn’t want a media circus surrounding the precious moment when they would get to meet one of their biggest music idols, The King of Rock and Roll.

However, The Beatles had to include one reporter from the UK music magazine, NME, or New Musical Express, in their entourage. His name was Chris Hutchins and he played an integral part in setting up the meeting. He had contacts with both The Beatles and Colonel Parker, and he was the one who initiated communication between the two camps.

Hutchins had been covering The Beatles during their U.S. tours and he frequently reported his firsthand accounts with The Beatles in the NME. On August 28, 1964, Hutchins reported in an NME article that Presley had invited The Beatles to meet with him at Graceland in Memphis, because he missed them in Los Angeles.

Unfortunately, The Beatles would not be able to stop in Memphis at that point in their schedule. So, instead, according to Hutchins, Brian Epstein and Colonel Parker had their own meeting in Los Angeles. The next day, The Beatles met Colonel Parker and he gave them gifts including leather belts with western holsters. Meanwhile, Hutchins helped put Paul McCartney in touch with Elvis and they spoke briefly on the phone.

The following year, on May 28, 1965, Hutchins reported in the NME that the Beatles were hoping to meet Elvis in August when they were back in Los Angeles for their U.S. tour. At that point, they were told that Elvis was scheduled to be in Hawaii filming Paradise Hawaiian Style, and they were out of luck.

But things changed in August, when Elvis returned early from filming. On August 27, 1965, the day the actual meeting took place, a story ran in the NME by Hutchins with the headline “NME is arranging a meeting between Elvis and Beatles!”

Finally, on September 3, 1965, the NME ran their exclusive story on the meeting. The headline stated: “NME has only reporter present when Elvis meets Beatles.”


In the article, Hutchins states that there was an informal jam session which started with Elvis playing the bass along to records playing on his jukebox. John, Paul and George were reportedly provided with guitars. However, there was no drum set for Ringo. “They used language of music!” a callout in the article read.

This inevitably formed the basis for the never-ending stories provided by friends of Elvis who were there that night as well as members of The Beatles’ entourage. While some of the eyewitness accounts that have come out over the years may be embellished or dispute what actually happened that night, one thing that should be clear is who was actually there.
The Beatles’ publicist, Tony Barrow, confirmed in his 2006 book, John, Paul, George, Ringo and Me, that Hutchins was present:

“Having acted as a catalyst to get the whole shindig off the ground, of course Chris Hutchins had to be invited. And if even a single journalist was to be involved, The Beatles wanted to bring me along. Presley would have his army of minders, the self-styled Memphis Mafia, on hand, so The Beatles’ roadies, Neil and Mal, made it onto the swelling list of guests, along with their driver, Alf Bicknell.  John said: ‘Let’s stop there or it’ll get out of control.’”

Hutchins also appears in two of the four rare photos that were taken that night by a fan as The Beatles were leaving and getting into their limos. In the photo below, Elvis, in a red shirt and black jacket, stands behind Hutchins who is wearing dark sunglasses.


However, in 2014, British journalist Ivor Davis claimed in his book, The Beatles and Me on Tour, that he was also present at the meeting. He had traveled with The Beatles on their 1964 U.S. tour reporting for the London Daily Express.

From the chapter in his book titled “Elvis, We Hardly Knew Ye”, Davis says: “Shortly before six o’clock on the evening of August 27, 1965, I got a call at home from Mal. ‘Ivor, get over to the house in an hour – we’re all going to see Elvis.'”

The fact that a second journalist would be invited to the secret meeting seems highly unlikely. There were already strict orders from Colonel Parker that no press, except for Hutchins, were to be permitted. And Mal Evans was even a bigger Elvis fan than John, Paul, George and Ringo. The fact that Mal would jeopardize the plans for the meeting seems suspect. But, unfortunately, since Mal died in 1976, it is not possible to get his response.

“The deal with Hutchins was that there would be no pictures, no taping, no leaking of details in advance,” Tony Barrow explained in a 1994 essay. “Keeping the time and place confidential was in his interests because Hutchins would have the story exclusively to himself. The Beatles’ manager, Brian Epstein, was nervous about a leak and warned me, ‘The boys will pull out if the rest of the press find out.'”

But there is a chance that Davis may have been present OUTSIDE the house with other reporters and fans who found out about the meeting.

As Tony Barrow explains, “I was not surprised to find that news of the Presley-Fab Four party did reach some of our media entourage despite our great efforts to keep all of the details to ourselves… Several of the most enterprising guys, including Daily Express West Coast correspondent Ivor Davis and the intrepid Larry Kane, joined forces to tail our limousines as we left The Beatles’ villa.”

To his own admission, Davis did not feel the need to report on the fact that The Beatles had finally met Elvis. No story on one of the biggest show business meetings of all time?

“We wrote very little about the meeting – bizarrely, in retrospect, none of us thought there was much to write about,” Davis stated in his book. “And without pictures (not even a pool photographer to record the meeting), my editor in London ruled that they wouldn’t need my story.”

In email correspondence with Daytrippin’ from 2015, Chris Hutchins absolutely refuted the possibility that there were any other reporters present:

“I can assure you that I was the only journalist present on the night I arranged for the Beatles to meet and spend some time with Elvis Presley in August 1965. As you will have read in my books it was almost three years after John Lennon asked me if I could ever arrange such a meeting up to the time it took place. During their summer tour of 1964 I took Elvis’s manager, Colonel Tom Parker (who became something of a mentor to me) to meet the Beatles at their rented home in Benedict Canyon and he promised them in front of me ‘that Chris here and I will do whatever we can to make sure you meet him.’

The following summer I had several meetings with the Colonel, then with Elvis himself to agree the meeting should take place. Next I set up and attended meetings with the Colonel and Brian Epstein to sort out the details. The Colonel insisted that (a) the meeting had go be at Elvis’s house (b) there were to be no photographs taken or recordings made and (c) there were to be ‘no journalists other than me present and no ‘hangers on’ in Elvis’s house.’

I am aware that others have claimed to be there and written accounts – largely using information I published later with the consent of the Beatles, the Colonel and Brian Epstein. Rest assured they were not there.”



30 years ago, John Lennon’s sons help induct Elvis Presley into the Rock and Roll Hall of Fame

This month marks several Beatle-related anniversaries with The Rock and Roll Hall of Fame. Back in the 1980s and 1990s, the RRHOF Induction ceremony used to be held in January. In later years, the ceremony was moved to the Spring.

On January 20, 1988, The Beatles were inducted at the 3rd annual Rock and Roll Hall of Fame ceremony by Mick Jagger.


On January 19, 1994, John Lennon was inducted into the Rock and Roll Hall of Fame by Paul McCartney. He was the first member of the Beatles to be inducted on his own.


But on January 23, 1986, it was Julian Lennon and Sean Lennon who took part in the first annual Rock and Roll Hall of Fame induction ceremony. On behalf of their father, John Lennon, they helped induct Elvis Presley into the Rock and Roll Hall of Fame along with Jack Soden, President and Executive Director of Graceland, and Memphis DJ and close Elvis friend, George Klein.


Julian Lennon, aged 22, appeared in all black, while 10-year-old Sean Lennon was dressed in a handsome white tuxedo. Julian, with Sean standing at his side, was the first speaker in the presentation of Elvis Presley’s award, followed by Jack Soden. The award was then accepted on Elvis’ behalf by his close friend, George Klein.

John Lennon’s admiration for The King of Rock and Roll is now common knowledge among music fans. Lennon said his love for rock and roll was inspired first and foremost by Presley. He credits his motivation to form his first band, which evolved into The Beatles, as a result of wanting to be just like Elvis. Even after the group took shape, their goal of being “bigger than Elvis” helped them achieve worldwide success.

That night at the induction ceremony, Julian Lennon started out with a brief introduction: “Our father was a big fan of Elvis’s and, of course, Elvis was loved all over the world, and we are all influenced [by] him,” Julian said. “I think a lot of people in the world get a lot of pleasure from listening to him and love him greatly.”

Then he read a direct quote from John Lennon, which spoke volumes: “Elvis was the thing, whatever people say, he was it. I was not competing against Elvis, rock happened to be the media I was born into – it was the one, that’s all. Those people who picked up paintbrushes, like Van Gogh, probably wanted to be Renoir or whomever went before him. I wanted to be Elvis.”

Then, Jack Soden read a brief statement from Lisa Marie Presley. He then introduced George Klein, who gave a dramatic and celebratory speech about his friend and best man at his wedding, Elvis Presley. Here is just a brief part of the speech:

“On January 8, 1935, a star was born. You see a star is not made, a star is born… The real honest to goodness rags to riches rise of the most inspiring version of the American Dream to ever happen. In doing so, Elvis fulfilled the hopes and dreams of an entire generation. The world was never to be the same again. You see Elvis Presley wasn’t a star, he was a damn galaxy!”

Other inductees that night at the induction ceremony in New York City included Little Richard, Jerry Lee Lewis, James Brown, Chuck Berry, Buddy Holly and Sam Phillips. Notably, Elvis Presley holds the record for being inducted into the greatest number of Music Hall of Fames – 16 to be exact.

If you enjoyed this article, more fascinating stories about Elvis Presley and The Beatles can be found in the new book, ELVIS: Behind The Legend: Startling Truths About The King of Rock and Roll’s Life, Loves, Films and Music


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Who was bigger: Elvis Presley or The Beatles?