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The Beatles’ triumph? See how the world reacted to Sgt. Pepper back in 1967

by Trina Young

[This article was originally printed in Daytrippin’ Magazine, Issue 1.]

It was 50 years ago today…

The Beatles released their album, Sgt. Pepper’s Lonely Hearts Club Band, during the “Summer of Love” on June 1, 1967. Sgt. Pepper was unlike any album of its time. It was considered unprecedented in many ways due to the innovative ideas and musical techniques presented on the album.

The album cover, the printed lyrics, the musical composition, the lyrical contents and the overall concept of the album proved upon its release to have a great impact on popular music as well as on the rest of popular culture. Considering the attention it was given through prestigious publications such as Newsweek, Time, The New York Times and The Washington Post illustrates that it was recognized as a significant event in the history of the 1960s.

The music industry honored The Beatles monumental achievement at the GRAMMY Awards given in 1968. Sgt. Pepper won for Best Engineered Album, Best Pop Vocal Album, Best Contemporary Rock and Roll Performance, Best Album Cover and Album of the Year. The album’s revolutionary and brilliant qualities were praised. In 1993, the album entered the GRAMMY Hall of Fame.

Sgt. Pepper was considered the first of its kind in many respects. For example, Sgt. Pepper became one of the first rock albums to eliminate the periods of silence traditionally heard between songs. As a result, the concept of the album was to recreate a concert-like performance of the make-believe Sgt. Pepper’s band.

Also contributing to the uniqueness of Sgt. Pepper was the album cover. It was a collage of The Beatles surrounded by famous historical, literary and entertainment figures ranging from Edgar Allan Poe to Marilyn Monroe to Bob Dylan. Apparently, the Beatles’ record company, EMI, obtained permission from each celebrity to include them on the cover.

Musically, this was an extraordinary album not just because of the complex musical arrangements, but also because of the wide variety of instruments used ranging from an electric guitar to a 41-piece orchestra.
sgt pepper back cover

The lyrics of the songs had a great effect because of the many ways they could be interpreted. Sgt. Pepper marked the first time that the lyrics were printed on the cover of a major pop release. As a result, the printing of the lyrics put a greater emphasis on the meaning of the songs. Consequently, this rock album, which had several different aspects to analyze, received near-unanimous raves and very little criticism.

Throughout the States, it was widely agreed upon that Sgt. Pepper was a superior achievement for The Beatles. Taken along with the Beatles’ previous successes, Sgt. Pepper‘s release created an outpouring of esteemed praise for The Beatles.

In Time‘s cover story (9/22/67), music writer Christopher Porterfield described The Beatles as “messengers from beyond rock ‘n’ roll, they are creating the most original, expressive and musically interesting sounds being heard in pop music.” Meanwhile, in Newsweek (6/26/67), Jack Kroll called them “Britain’s new Poet Laureate.”

The Beatles were being hailed as the greatest in their field, and by some they were being hailed as the greatest humans on earth. According to Philip Norman in his book Shout! The Beatles in their Generation (1981), Dr. Timothy Leary, a famous personality in the hippie movement, claimed that the Beatles were “the wisest, holiest, most effective avatars the human race has ever produced.”

At the same time, the album itself was receiving the highest critical acclaim. According to Norman, The New York Times Review of Books declared that Sgt. Pepper marked “a new and golden Renaissance of song.” Meanwhile, according to Nicholas Schaffner in his book The Beatles Forever (1977), Tom Philips of New York’s Village Voice called Sgt. Pepper “the most ambitious and most successful record album ever issued.”

The majority of critics had a similar positive response to the album. Obviously, the most influential part of the album was the music. In The Washington Post (6/18/67), Carl Bernstein expressed his view of this amazing creation: “The Beatles have managed to create a musical infinity through a miraculous metamorphosis of dozens of Eastern and Western musical ideas, some centuries old, others from our own era and more than a few from the future.” It was the opinion of many critics that Sgt. Pepper was the most amazing rock album to date.

However, the real proof that Sgt. Pepper was an astounding musical achievement rested in the views of other musicians. Surprisingly, in the classical music world, Sgt. Pepper received great praise.

According to Time (9/22/67), classical conductor Leonard Bernstein declared that the song “She’s Leaving Home” was one of the three great songs of the century. Also, Time reported that classical composer Ned Rorem claimed that this song “is equal to any song that Schubert ever wrote.” Rorem also insisted that the best songs on Sgt. Pepper could compare with those by composers Monteverdi, Schumann and Poulenc.

Meanwhile, within the rock world, the reaction was just as great. According to the authors of The Love You Make: An Insider’s Story of the Beatles (1983), after first hearing Sgt. Pepper, The Beach Boys’ Brian Wilson gave up working on his own upcoming album since he believed Sgt. Pepper to be the greatest album ever made and nothing could top it.

If imitation is the highest form of flattery, then The Who and The Rolling Stones greatly admired The Beatles’ Sgt. Pepper. They both took up the challenge of matching it with their albums, Tommy and Their Satanic Majesties Request.

Although the overwhelming response to Sgt. Pepper was positive, there were a few negative responses. According to Schaffner, Richard Goldstein of The New York Times “dismissed most of the songs [on Sgt. Pepper] as pretentious and gimmicky.” On a more severe note, according to Philip Norman, the John Birch Society, an ultra right-wing Christian group, claimed that the Beatles “were part of a Communist conspiracy and their music displayed ‘an understanding of the principles of brainwashing.'”

The BBC expressed their own form of negative response when they banned the song “A Day in the Life” from being played on the British airwaves. They stated that the song was promoting drugs through lyrics such as “I’d love to turn you on.”

Some fans of The Beatles also saw Sgt. Pepper as a prelude to the inevitable commercial exploitation of the counterculture. According to Schaffner, Robert Somma in Crawdaddy criticized The Beatles because “they tidied up the drug scene, made psychedelia as palatable and mind-blowing as Congress.” Nonetheless, these criticisms were among the few that appeared amidst the plethora of praise for Sgt. Pepper.

Not only did Sgt. Pepper promote good and bad reviews for itself, but it created a new form of criticism for all rock albums which came thereafter. Following the strong reaction to Sgt. Pepper, serious critical reviews on rock albums came into existence. Prestigious publications started including commentaries on The Beatles and rock music in their issues. Until then, the only source of rock journalism came from fan magazines and the underground press. After Sgt. Pepper, a whole new genre of critical review emerged leading to the birth of magazines such as Rolling Stone and Crawdaddy.

The majority of America looked favorably on the release of Sgt. Pepper. The most enthusiastic were the youth of America or the counterculture. With the release of Sgt. Pepper, the youth of the sixties believed that the Beatles were the spokesmen for the counterculture. The hippies studied and dissected the album, believing that it held prophecies, messages and signs for them.


Besides the supposed drug messages in the lyrics, the hippies also interpreted some songs to be a put down of their parents. According to Porterfield, “She’s Leaving Home,” with its story about a teenage girl who runs away from home, was thought of as an anthem for the younger generation. As reported in Time, one 15-year-old hippie commented that the Beatles were “saying all the things I always wanted to say to my parents and their freaky friends.”

According to Jon Wiener in his book Come Together: John Lennon in His Time (1984), Robert Christgau, a writer for the music magazine Cheetah, claimed that Sgt. Pepper served as a “catalyst for the entire youth movement.” Sgt. Pepper was considered to be the perfect soundtrack for the “Summer of Love.” It managed to express almost every aspect of the merging youth subculture.

The cover story in Time (9/22/67) summarized the main messages the album relays: “tension between the generations, the loneliness of the dislocated ’60s, and the bitter sweets of young love in any age.” The youth movement could strongly identify with these messages.

Not only did the younger generation respond to Sgt. Pepper, but for the first time the older generation took a serious look at the Beatles and their music. Sgt. Pepper caused many adults, including parents, professors and business executives, to start taking the Beatles and rock music seriously. It was the first rock album that many people bought, and consequently, average adults started to formulate their own views on the Beatles’ music.

According to Time, Tom Leland, an Atlanta psychiatrist, stated that on Sgt. Pepper the Beatles were “speaking in an existential way about the meaningless of actuality.” Also reported in Time, Robert Tusler, a teacher of 20th century music at UCLA, declared that The Beatles “made an enormous contribution to electronic music.”

Some adults proclaimed that with the release of Sgt. Pepper, popular music had progressed into an art form. According to Time, musicologist Henry Pleasants declared, “The Beatles are where music is right now.”

This sudden change in perspectives on rock music may have been strongly influenced by the gradual progression of the Beatles’ music. The sharp contrast from the Beatles’ earlier music to the later music of Sgt. Pepper was a drastic change from simplicity to complexity. This metamorphosis, which also reflected the changing of the times, resulted from The Beatles desire to grow, experiment and expand their horizons.

This progression caused people to recognize the dramatic effect of popular music as art. Jack Kroll of Newsweek compared the Beatles to other artistic writers: “…loss of innocence is, increasingly, their theme and the theme of more ‘serious’ new art from the stories of Donald Barthelme to the plays of Harold Pinter.”

Sgt. Pepper’s Lonely Hearts Club Band definitely set a new standard of achievement in popular music due to the immense positive response it received almost everywhere. As Jim Hoagland declared in The Washington Post in 1967, “music may never be the same again.” And it wasn’t.

In 1987, on its 20th anniversary, it was voted the greatest album of all time by a worldwide panel of critics. Looking back on the album in retrospect, it obviously had weaknesses. Richard Harrington claimed in The Washington Post in 1987 that the only songs that hold up well are: “With A Little Help From My Friends,” “She’s Leaving Home,” “Getting Better” and “A Day in the Life.” However, he still agreed that the album had tremendous influence over the music industry and the American public.

The music industry changed in several ways after the release of Sgt. Pepper. Since the album took four months to make at a cost of approximately $100,000, the record business began its transformation into a billion dollar industry. Consequently, the album format was emphasized, and recording and marketing techniques were reshaped. After Sgt. Pepper introduced the idea of a “concept album”, this idea was widely imitated. Also no respectable rock star would ever again put out a dull album cover.

Immediately following Sgt. Pepper, there was an unprecedented amount of freedom of expression in rock songs. Due to the acceptance of rock as art, every major album could expect to be critically analyzed and examined like a new novel. This criticism is still prevalent today in such magazines as Rolling Stone, which also celebrates its 50th anniversary this year.

Sgt. Pepper also inspired a new age of studio experimentation and lavish productions. It is generally recognized that with Sgt. Pepper, the Beatles reached their peak in regards to experimentation and influence. This album was definitely seen as a turning point in the music industry.

Concerning American society, Sgt. Pepper also had a great influence. The music seemed to distill the moods of that time. It opened up the eyes of the people, young and old. The album accurately personified the psychedelic sixties. It reflected the beliefs and thoughts of the people, especially the youth.

Landgon Winner wrote in The New Yorker about the feeling evoked by the release of Sgt. Pepper: “The closest Western Civilization has come to unity since the Congress of Vienna in 1815 was the week the Sgt. Pepper album was released. For a brief while, the irreparably fragmented consciousness of the West was unified, as least in the minds of the young.”

Will there ever be another album/CD that will have as enormous an impact as Sgt. Pepper did? Judging from the 50 years since Sgt. Pepper‘s release, that seems highly doubtful.

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The Beatles Sgt. Pepper 50th anniversary edition offers over 30 unreleased outtakes

It was 50 years ago on June 1, 1967 when The Beatles surprised the world ushering in the Summer of Love with Sgt. Pepper’s Lonely Hearts Club Band, the groundbreaking masterpiece that became popular music’s most universally acclaimed album. To salute the occasion, The Beatles will release special CD and Vinyl packages of the Sgt. Pepper 50th Anniversary Edition on May 26. The album is newly mixed by Giles Martin and Sam Okell in stereo and 5.1 surround audio and expanded with early takes from the studio sessions, including 34 previously unreleased recordings.

“It’s crazy to think that 50 years later we are looking back on this project with such fondness and a little bit of amazement at how four guys, a great producer and his engineers could make such a lasting piece of art,” says Paul McCartney in his newly-penned introduction for the Sgt. Pepper Anniversary Edition.

Sgt. Pepper seemed to capture the mood of that year, and it also allowed a lot of other people to kick off from there and to really go for it,” Ringo Starr recalls in the Anniversary Edition’s book.

This is the first time Sgt. Pepper’s Lonely Hearts Club Band has been remixed and presented with additional session recordings. To create the new stereo and 5.1 surround audio mixes for Sgt. Pepper, producer Giles Martin and mix engineer Sam Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All of the Anniversary Edition releases include Martin’s new stereo mix of the album, which was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by his father, George Martin.

Beatles Sgt Pepper 50th anniversaryRingo Starr has expressed his delight at the new remastered Sgt. Pepper recordings. According to Keith Allison, former Paul Revere and the Raiders bassist, who was recently hanging out with Ringo: “He thought it was great! Why? Because it originally was recorded on a 4-track with a lot of overdubs, which buried the drums. Now, the drums have been lifted and come through as they should. He was pleased.”

Fans have been waiting for a new stereo remix of Sgt. Pepper since the original stereo release was rushed out with no input from The Beatles. The mono version was what The Beatles and George Martin had poured their heart and soul into back in 1967.

“No matter how well you know the album, this remix is full of nuances any fan will notice, especially the bottom end —Ringo’s kick drum really reveals new dimensions,” explains Rolling Stone writer, Rob Sheffield.

 

“The alternate takes are full of discoveries; hours of new Beatle music that gives a taste of how many treasures remain in the vault. It’s not just historic value — it’s an astounding listening experience,” says Sheffield, who got an exclusive first listen to the Sgt. Pepper outtakes.

The Super Deluxe set includes a 144-page hardcover book featuring new introductions by Paul McCartney and Giles Martin, and chapters covering comprehensive song-by-song details and recording information, the design of the cover, the album’s musical innovations and its historical context.

Beatles Sgt Pepper 50 deluxe

The Super Deluxe edition also includes a DVD and Blu-ray featuring the previously unreleased documentary film The Making of Sgt. Pepper (broadcast in 1992), with insightful interviews with McCartney, Harrison and Starr, and in-studio footage introduced by George Martin.

For Record Store Day on April 22, Apple Corps Ltd./Capitol/UMe will release an exclusive, limited edition seven-inch vinyl single of The Beatles’ “Strawberry Fields Forever” and “Penny Lane,” among the first songs recorded during the ‘Sgt. Pepper’ sessions, which began in November 1966. 

(Source: Includes excerpts from official press release)

 

Quick Order Links:

Super Deluxe edition (4 CD/DVD/Blu-ray combo)

2 CD Deluxe set

1 CD

2 Vinyl LP

See the FULL Track listings of each CD package by clicking here

 

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Elvis looking at Beatles magazine


50th anniversary of when The Beatles met Elvis Presley

by Trina Young

elvis-looksatbeatlesmagThe most infamous rock and roll meeting of all time occurred when Elvis Presley met The Beatles. On August 27, 1965, John, Paul, George and Ringo along with their manager, publicist and assistants came to Presley’s house on Perugia Way in Los Angeles to meet their rock and roll idol.

The Beatles were the ones who pushed for the meeting. After all, it was Elvis who was one of the main influences for John Lennon to start the band. “Without Elvis, there would be no Beatles,” Lennon famously remarked in later years.

A British journalist who also attended the infamous meeting was Chris Hutchins, a reporter for the New Musical Express (NME) at the time. He had been documenting the anticipation of The Beatles’ possibly meeting Elvis since Paul McCartney called and spoke to Presley on the phone a year earlier.

During their concert tour in the summer of 1964, The Beatles tried to arrange a meeting with Elvis, but they could never coordinate their schedules. Instead, Colonel Parker visited with The Beatles and gave them gifts of Elvis souvenirs.

Finally, in August 1965, the stars seemed to align since The Beatles were in L.A. for their concert at The Hollywood Bowl and Elvis was in L.A. having just returned from Hawaii where he was filming Paradise Hawaiian Style.

Unfortunately, Colonel Parker, with the agreement of Brian Epstein, insisted that no pictures or video be taken of the infamous meeting. Therefore, this historic event is recounted solely through eyewitness accounts from the people who were there.

It was a typical night at Presley’s home with members of Elvis’ entourage on hand as well as a few of their female companions including Presley’s live-in girlfriend and future wife, Priscilla Presley. Also added to the mix was Colonel Parker who was there on this special occasion to make sure things ran smoothly. . . .

Finish reading the entire story in the new book:
ELVIS AND THE BEATLES: Love and Rivalry Between the Two Biggest Acts of the 20th Century

 

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Beatles 50th anniversary: A Hard Day’s Night in theaters

Happy 4th, Beatles fans!!

July 6, 2014 is the 50th anniversary of the premiere of A Hard Day’s Night!

A special 50th anniversary DVD and Blu-ray edition is being released by the Criterion Collection for the 50th anniversary of the film. This latest release features new 4K restoration from the original camera negative and a new 5.1 surround sound mix produced by Giles Martin.

AHDN-bluray

The film is also being shown in select theaters this Fourth of July weekend.

See if the film is playing in your area:

http://janusfilms.com/harddaysnight/index.html

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EVENT ALERT:

Sunday July 6 –
Pattie Boyd to recount meeting The Beatles at ‘A Hard Day’s Night’ screening
http://www.examiner.com/article/pattie-boyd-to-recount-meeting-the-beatles-at-a-hard-day-s-night-screening

Monday July 7 –
Join former Beatle Ringo Starr in Hollywood to celebrate his birthday
http://www.examiner.com/article/join-former-beatle-ringo-starr-hollywood-to-celebrate-his-birthday

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Latest DAYTRIPPIN’ ARTICLES:

Ringo Starr ‘Peace and Love’ concert special to air on AXS TV (July 3, 2014)
https://daytrippin.com/2014/07/03/ringo-starr-peace-and-love-concert-special-to-air-on-axs-tv/

1964 The Tribute recreates The Beatles’ touring magic (May 1, 2014) –http://www.examiner.com/article/1964-the-tribute-recreates-the-beatles-touring-magic

Liv Warfield’s ‘Blackbird’ calls out Paul McCartney in defiance to Beatles’ song (April 6, 2014) –http://www.examiner.com/article/liv-warfield-s-blackbird-calls-out-paul-mccartney-defiance-to-beatles-song

John Lennon drawing recalls frightening Palm Springs tram ride (March 23, 2014)
https://daytrippin.com/2014/03/23/john-lennon-drawing-recalls-frightening-palm-springs-tram-ride/

Ex-Beatle John Lennon’s UFO drawing and other sketches up for auction (March 20, 2013) –
http://www.examiner.com/article/ex-beatle-john-lennon-s-ufo-drawing-and-other-sketches-up-for-auction
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NEWS from our BEATLES TWITTER and FACEBOOK pages:

Paul McCartney’s website is giving away free tickets to his North American shows
http://www.paulmccartney.com/news-blogs/news/new-contest-win-tickets-to-see-paul-get-out-there-in-the-us

Listen to the full mystery ‘train song’ from A Hard Day’s Night – Is it The Beatles?
http://www.latimes.com/entertainment/music/posts/la-et-ms-beatles-mystery-song-train-hard-days-night-20140702-story.html

 


Beatles’ manager Brian Epstein honored with Blue Plaque in London
http://www.usatoday.com/story/life/music/2014/06/30/beatles-manager-brian-epstein-honored-with-blue-plaque/11733981/

Photos: Indian temple abandoned since the Beatles visited in 1968 is now a shrine to The Fab Four
http://www.dailymail.co.uk/news/article-2668985/Let-Inside-abandoned-Indian-temple-untouched-The-Beatles-visit-1968-Fab-Four-shrine.html

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NEW BEATLES MERCHANDISE

New release in July: The Beatles Japanese Box Set: 5 albums plus memorabilia – http://tiny.cc/hxb5gx

Newly restored: The Beatles movie, A Hard Day’s Night, released on DVD & Blu-ray on June 24 – http://goo.gl/NXtRWs

New book: The Beatles Encyclopedia: Everything Fab Four [massive 2 volume set, over 1000 pages] by Ken Womack – http://goo.gl/m1igis

New Beatles book: The Dead Straight Guide to The Beatles – http://goo.gl/l1QvED

New photography book: Guitar With Wings by Laurence Juber – http://goo.gl/3mU3CD

Graphic novel: Beatles with an A: Birth of a Band – http://tiny.cc/cuhhix

New book: Still the Greatest: The Essential Songs of The Beatles Solo Careers – http://goo.gl/NbsU2q

Interesting book concept: “Rock Trees: The Beatles: Volume 1: The Paul McCartney Tree” – http://tiny.cc/ojzhgx

John Lennon & Yoko Ono historic interviews by Village Voice journalist, Howard Smith, now on 8-CD set – http://goo.gl/Y5tbza

George Harrison interview by Village Voice journalist, Howard Smith, now available on CD – http://goo.gl/hTgQGH

Book: The Guitar’s All right as a Hobby, John by Kathy Burns – http://tiny.cc/cahhix

Book: The Beatles “Speaking Words of Wisdom” – http://tiny.cc/3hhhix

Book: The Beatles and their Revolutionary Bass Player – http://tiny.cc/dnhhix

Book: Man on the Run: Paul McCartney in the 1970s – http://tiny.cc/aqhhix

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Oops! Beatles release collector’s 50th anniversary Love Me Do single… but wrong version!

As a longtime Beatles fan, it’s been hard to keep track of the different versions of The Beatles’ first single, “Love Me Do”– specifically, which released versions of “Love Me Do” did Ringo play drums on and which he did not. As historians explain, the original 45 single release of “Love Me Do” is the one with Ringo as drummer, while the album version (on Please Please Me) has Andy White as the drummer.

Well, apparently Ringo and EMI get confused on this issue as well. For the 50th anniversary special 45 release of “Love Me Do”, EMI released the version with Andy White playing drums and not Beatle Ringo! As a result, those copies are being recalled and another 45 release will replace it, making this a true collector’s item!

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The Beatles single “Love Me Do” reached number 17 on the British charts after its initial release in the UK on October 5, 1962. Why there are different versions of the song on the album versus the single is explained in an article by Beatles expert, Bruce Spizer.

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