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The Beatles’ triumph? See how the world reacted to Sgt. Pepper back in 1967

by Trina Yannicos

[This article was originally printed in Daytrippin’ Magazine, Issue 1.]

It was 50 years ago today…

The Beatles released their album, Sgt. Pepper’s Lonely Hearts Club Band, during the “Summer of Love” on June 1, 1967. Sgt. Pepper was unlike any album of its time. It was considered unprecedented in many ways due to the innovative ideas and musical techniques presented on the album.

The album cover, the printed lyrics, the musical composition, the lyrical contents and the overall concept of the album proved upon its release to have a great impact on popular music as well as on the rest of popular culture. Considering the attention it was given through prestigious publications such as Newsweek, Time, The New York Times and The Washington Post illustrates that it was recognized as a significant event in the history of the 1960s.

The music industry honored The Beatles monumental achievement at the GRAMMY Awards given in 1968. Sgt. Pepper won for Best Engineered Album, Best Pop Vocal Album, Best Contemporary Rock and Roll Performance, Best Album Cover and Album of the Year. The album’s revolutionary and brilliant qualities were praised. In 1993, the album entered the GRAMMY Hall of Fame.

Sgt. Pepper was considered the first of its kind in many respects. For example, Sgt. Pepper became one of the first rock albums to eliminate the periods of silence traditionally heard between songs. As a result, the concept of the album was to recreate a concert-like performance of the make-believe Sgt. Pepper’s band.

Also contributing to the uniqueness of Sgt. Pepper was the album cover. It was a collage of The Beatles surrounded by famous historical, literary and entertainment figures ranging from Edgar Allan Poe to Marilyn Monroe to Bob Dylan. Apparently, the Beatles’ record company, EMI, obtained permission from each celebrity to include them on the cover.

Musically, this was an extraordinary album not just because of the complex musical arrangements, but also because of the wide variety of instruments used ranging from an electric guitar to a 41-piece orchestra.
sgt pepper back cover

The lyrics of the songs had a great effect because of the many ways they could be interpreted. Sgt. Pepper marked the first time that the lyrics were printed on the cover of a major pop release. As a result, the printing of the lyrics put a greater emphasis on the meaning of the songs. Consequently, this rock album, which had several different aspects to analyze, received near-unanimous raves and very little criticism.

Throughout the States, it was widely agreed upon that Sgt. Pepper was a superior achievement for The Beatles. Taken along with the Beatles’ previous successes, Sgt. Pepper‘s release created an outpouring of esteemed praise for The Beatles.

In Time‘s cover story (9/22/67), music writer Christopher Porterfield described The Beatles as “messengers from beyond rock ‘n’ roll, they are creating the most original, expressive and musically interesting sounds being heard in pop music.” Meanwhile, in Newsweek (6/26/67), Jack Kroll called them “Britain’s new Poet Laureate.”

The Beatles were being hailed as the greatest in their field, and by some they were being hailed as the greatest humans on earth. According to Philip Norman in his book Shout! The Beatles in their Generation (1981), Dr. Timothy Leary, a famous personality in the hippie movement, claimed that the Beatles were “the wisest, holiest, most effective avatars the human race has ever produced.”

At the same time, the album itself was receiving the highest critical acclaim. According to Norman, The New York Times Review of Books declared that Sgt. Pepper marked “a new and golden Renaissance of song.” Meanwhile, according to Nicholas Schaffner in his book The Beatles Forever (1977), Tom Philips of New York’s Village Voice called Sgt. Pepper “the most ambitious and most successful record album ever issued.”

The majority of critics had a similar positive response to the album. Obviously, the most influential part of the album was the music. In The Washington Post (6/18/67), Carl Bernstein expressed his view of this amazing creation: “The Beatles have managed to create a musical infinity through a miraculous metamorphosis of dozens of Eastern and Western musical ideas, some centuries old, others from our own era and more than a few from the future.” It was the opinion of many critics that Sgt. Pepper was the most amazing rock album to date.

However, the real proof that Sgt. Pepper was an astounding musical achievement rested in the views of other musicians. Surprisingly, in the classical music world, Sgt. Pepper received great praise.

According to Time (9/22/67), classical conductor Leonard Bernstein declared that the song “She’s Leaving Home” was one of the three great songs of the century. Also, Time reported that classical composer Ned Rorem claimed that this song “is equal to any song that Schubert ever wrote.” Rorem also insisted that the best songs on Sgt. Pepper could compare with those by composers Monteverdi, Schumann and Poulenc.

Meanwhile, within the rock world, the reaction was just as great. According to the authors of The Love You Make: An Insider’s Story of the Beatles (1983), after first hearing Sgt. Pepper, The Beach Boys’ Brian Wilson gave up working on his own upcoming album since he believed Sgt. Pepper to be the greatest album ever made and nothing could top it.

If imitation is the highest form of flattery, then The Who and The Rolling Stones greatly admired The Beatles’ Sgt. Pepper. They both took up the challenge of matching it with their albums, Tommy and Their Satanic Majesties Request.

Although the overwhelming response to Sgt. Pepper was positive, there were a few negative responses. According to Schaffner, Richard Goldstein of The New York Times “dismissed most of the songs [on Sgt. Pepper] as pretentious and gimmicky.” On a more severe note, according to Philip Norman, the John Birch Society, an ultra right-wing Christian group, claimed that the Beatles “were part of a Communist conspiracy and their music displayed ‘an understanding of the principles of brainwashing.'”

The BBC expressed their own form of negative response when they banned the song “A Day in the Life” from being played on the British airwaves. They stated that the song was promoting drugs through lyrics such as “I’d love to turn you on.”

Some fans of The Beatles also saw Sgt. Pepper as a prelude to the inevitable commercial exploitation of the counterculture. According to Schaffner, Robert Somma in Crawdaddy criticized The Beatles because “they tidied up the drug scene, made psychedelia as palatable and mind-blowing as Congress.” Nonetheless, these criticisms were among the few that appeared amidst the plethora of praise for Sgt. Pepper.

Not only did Sgt. Pepper promote good and bad reviews for itself, but it created a new form of criticism for all rock albums which came thereafter. Following the strong reaction to Sgt. Pepper, serious critical reviews on rock albums came into existence. Prestigious publications started including commentaries on The Beatles and rock music in their issues. Until then, the only source of rock journalism came from fan magazines and the underground press. After Sgt. Pepper, a whole new genre of critical review emerged leading to the birth of magazines such as Rolling Stone and Crawdaddy.

The majority of America looked favorably on the release of Sgt. Pepper. The most enthusiastic were the youth of America or the counterculture. With the release of Sgt. Pepper, the youth of the sixties believed that the Beatles were the spokesmen for the counterculture. The hippies studied and dissected the album, believing that it held prophecies, messages and signs for them.


Besides the supposed drug messages in the lyrics, the hippies also interpreted some songs to be a put down of their parents. According to Porterfield, “She’s Leaving Home,” with its story about a teenage girl who runs away from home, was thought of as an anthem for the younger generation. As reported in Time, one 15-year-old hippie commented that the Beatles were “saying all the things I always wanted to say to my parents and their freaky friends.”

According to Jon Wiener in his book Come Together: John Lennon in His Time (1984), Robert Christgau, a writer for the music magazine Cheetah, claimed that Sgt. Pepper served as a “catalyst for the entire youth movement.” Sgt. Pepper was considered to be the perfect soundtrack for the “Summer of Love.” It managed to express almost every aspect of the merging youth subculture.

The cover story in Time (9/22/67) summarized the main messages the album relays: “tension between the generations, the loneliness of the dislocated ’60s, and the bitter sweets of young love in any age.” The youth movement could strongly identify with these messages.

Not only did the younger generation respond to Sgt. Pepper, but for the first time the older generation took a serious look at the Beatles and their music. Sgt. Pepper caused many adults, including parents, professors and business executives, to start taking the Beatles and rock music seriously. It was the first rock album that many people bought, and consequently, average adults started to formulate their own views on the Beatles’ music.

According to Time, Tom Leland, an Atlanta psychiatrist, stated that on Sgt. Pepper the Beatles were “speaking in an existential way about the meaningless of actuality.” Also reported in Time, Robert Tusler, a teacher of 20th century music at UCLA, declared that The Beatles “made an enormous contribution to electronic music.”

Some adults proclaimed that with the release of Sgt. Pepper, popular music had progressed into an art form. According to Time, musicologist Henry Pleasants declared, “The Beatles are where music is right now.”

This sudden change in perspectives on rock music may have been strongly influenced by the gradual progression of the Beatles’ music. The sharp contrast from the Beatles’ earlier music to the later music of Sgt. Pepper was a drastic change from simplicity to complexity. This metamorphosis, which also reflected the changing of the times, resulted from The Beatles desire to grow, experiment and expand their horizons.

This progression caused people to recognize the dramatic effect of popular music as art. Jack Kroll of Newsweek compared the Beatles to other artistic writers: “…loss of innocence is, increasingly, their theme and the theme of more ‘serious’ new art from the stories of Donald Barthelme to the plays of Harold Pinter.”

Sgt. Pepper’s Lonely Hearts Club Band definitely set a new standard of achievement in popular music due to the immense positive response it received almost everywhere. As Jim Hoagland declared in The Washington Post in 1967, “music may never be the same again.” And it wasn’t.

In 1987, on its 20th anniversary, it was voted the greatest album of all time by a worldwide panel of critics. Looking back on the album in retrospect, it obviously had weaknesses. Richard Harrington claimed in The Washington Post in 1987 that the only songs that hold up well are: “With A Little Help From My Friends,” “She’s Leaving Home,” “Getting Better” and “A Day in the Life.” However, he still agreed that the album had tremendous influence over the music industry and the American public.

The music industry changed in several ways after the release of Sgt. Pepper. Since the album took four months to make at a cost of approximately $100,000, the record business began its transformation into a billion dollar industry. Consequently, the album format was emphasized, and recording and marketing techniques were reshaped. After Sgt. Pepper introduced the idea of a “concept album”, this idea was widely imitated. Also no respectable rock star would ever again put out a dull album cover.

Immediately following Sgt. Pepper, there was an unprecedented amount of freedom of expression in rock songs. Due to the acceptance of rock as art, every major album could expect to be critically analyzed and examined like a new novel. This criticism is still prevalent today in such magazines as Rolling Stone, which also celebrates its 50th anniversary this year.

Sgt. Pepper also inspired a new age of studio experimentation and lavish productions. It is generally recognized that with Sgt. Pepper, the Beatles reached their peak in regards to experimentation and influence. This album was definitely seen as a turning point in the music industry.

Concerning American society, Sgt. Pepper also had a great influence. The music seemed to distill the moods of that time. It opened up the eyes of the people, young and old. The album accurately personified the psychedelic sixties. It reflected the beliefs and thoughts of the people, especially the youth.

Landgon Winner wrote in The New Yorker about the feeling evoked by the release of Sgt. Pepper: “The closest Western Civilization has come to unity since the Congress of Vienna in 1815 was the week the Sgt. Pepper album was released. For a brief while, the irreparably fragmented consciousness of the West was unified, as least in the minds of the young.”

Will there ever be another album/CD that will have as enormous an impact as Sgt. Pepper did? Judging from the 50 years since Sgt. Pepper‘s release, that seems highly doubtful.

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The Beatles Sgt. Pepper 50th anniversary edition offers over 30 unreleased outtakes

It was 50 years ago on June 1, 1967 when The Beatles surprised the world ushering in the Summer of Love with Sgt. Pepper’s Lonely Hearts Club Band, the groundbreaking masterpiece that became popular music’s most universally acclaimed album. To salute the occasion, The Beatles will release special CD and Vinyl packages of the Sgt. Pepper 50th Anniversary Edition on May 26. The album is newly mixed by Giles Martin and Sam Okell in stereo and 5.1 surround audio and expanded with early takes from the studio sessions, including 34 previously unreleased recordings.

“It’s crazy to think that 50 years later we are looking back on this project with such fondness and a little bit of amazement at how four guys, a great producer and his engineers could make such a lasting piece of art,” says Paul McCartney in his newly-penned introduction for the Sgt. Pepper Anniversary Edition.

Sgt. Pepper seemed to capture the mood of that year, and it also allowed a lot of other people to kick off from there and to really go for it,” Ringo Starr recalls in the Anniversary Edition’s book.

This is the first time Sgt. Pepper’s Lonely Hearts Club Band has been remixed and presented with additional session recordings. To create the new stereo and 5.1 surround audio mixes for Sgt. Pepper, producer Giles Martin and mix engineer Sam Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All of the Anniversary Edition releases include Martin’s new stereo mix of the album, which was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by his father, George Martin.

Beatles Sgt Pepper 50th anniversaryRingo Starr has expressed his delight at the new remastered Sgt. Pepper recordings. According to Keith Allison, former Paul Revere and the Raiders bassist, who was recently hanging out with Ringo: “He thought it was great! Why? Because it originally was recorded on a 4-track with a lot of overdubs, which buried the drums. Now, the drums have been lifted and come through as they should. He was pleased.”

Fans have been waiting for a new stereo remix of Sgt. Pepper since the original stereo release was rushed out with no input from The Beatles. The mono version was what The Beatles and George Martin had poured their heart and soul into back in 1967.

“No matter how well you know the album, this remix is full of nuances any fan will notice, especially the bottom end —Ringo’s kick drum really reveals new dimensions,” explains Rolling Stone writer, Rob Sheffield.

 

“The alternate takes are full of discoveries; hours of new Beatle music that gives a taste of how many treasures remain in the vault. It’s not just historic value — it’s an astounding listening experience,” says Sheffield, who got an exclusive first listen to the Sgt. Pepper outtakes.

The Super Deluxe set includes a 144-page hardcover book featuring new introductions by Paul McCartney and Giles Martin, and chapters covering comprehensive song-by-song details and recording information, the design of the cover, the album’s musical innovations and its historical context.

Beatles Sgt Pepper 50 deluxe

The Super Deluxe edition also includes a DVD and Blu-ray featuring the previously unreleased documentary film The Making of Sgt. Pepper (broadcast in 1992), with insightful interviews with McCartney, Harrison and Starr, and in-studio footage introduced by George Martin.

For Record Store Day on April 22, Apple Corps Ltd./Capitol/UMe will release an exclusive, limited edition seven-inch vinyl single of The Beatles’ “Strawberry Fields Forever” and “Penny Lane,” among the first songs recorded during the ‘Sgt. Pepper’ sessions, which began in November 1966. 

(Source: Includes excerpts from official press release)

 

Quick Order Links:

Super Deluxe edition (4 CD/DVD/Blu-ray combo)

2 CD Deluxe set

1 CD

2 Vinyl LP

See the FULL Track listings of each CD package by clicking here

 

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John Lennon may have never started his first band, The Quarrymen, without best friend Pete Shotton

John Lennon Quarrymen

Sad news in the Beatles community to hear that Pete Shotton, John Lennon’s best friend growing up, died on March 24, 2017. He was 75 years old, born in 1941 – surprising that he was one year younger than John Lennon, since they were best friends in school.

Pete and John met in Sunday school when they were respectively, 6 and 7 years old. They also lived close to each other in Liverpool. They formed a small rowdy group of boys from the neighborhood which also included Nigel Whalley and Ivan Vaughn, who would play a pivotal role in Beatles history when he introduced Paul McCartney to John Lennon in 1957.

John and Pete’s childhood and teenage friendship, which lasted through high school and adulthood, was depicted in the film, Nowhere Boy, which showed how John was the instigator of the two:

John Lennon insisted on Shotton’s participation as a member of his first band, The Quarrymen skiffle group. Pete was assigned the washboard. It wasn’t so much Shotton’s musical ability (which was lacking) but more having the support of his friend in the band. In fact, without Pete, John may have never pursued starting the group.

According to Pete: “Had I categorically said no, John would almost certainly have shelved the whole idea of forming a group… I don’t mean to imply that there was anything special about me… It’s just that John and I were so inseparable at the time, it would have been inconceivable for either of us to get involved in something the other wasn’t keen on doing.”

John Lennon and Pete Shotton

Although Pete’s time with Quarrymen only lasted a year, he became an invaluable eyewitness to history. He observed John’s relationship with his birth mother, Julia, for several years before she died when John was 17. Pete was also the one who officially asked a 15-year-old Paul McCartney to join the Quarrymen.

In his insightful book about his friendship with John Lennon, Shotton recounts all the early rock and roll influences that John Lennon experienced. His book is regarded as one of the 10 best Beatles books of all time according to Rolling Stone.

Pete Shotton bookThe original title of Shotton’s book was John Lennon In My Life. It first came out in 1983 and was then re-issued a year later as The Beatles, Lennon and Me. It was co-written with Nicholas Schaffner, who was also the author of the great book, The Beatles Forever.

In his book, for example, Shotton offers behind-the-scenes truths of how The Quarrymen members evolved into The Beatles. Since Pete was one of the few people that was extremely close to John, he was able to offer insights into Lennon’s psyche.

“Neither Paul nor George would have lasted very long in John’s band… had John not come to like them so much as people,” Shotton explained. “Most of the other original members were gradually frozen out of the picture, not so much for lack of musical promise, but simply because John found them a bore.”

After Lennon became a superstar, he still maintained his friendship with Shotton, who was also there when John began his relationship with Yoko. Pete describes when the couple spent their first night together in this interview he did in the 1980s:

The last time Pete saw John was in the summer of 1976 when he visited with John and Yoko in New York City.

Reacting to John’s shocking murder in 1980, Shotton wrote in his book, “What a life.” Then on the next page which is the end of the book, he wrote: “What a fucking ending.”

Sean Lennon posted a photo on Instagram about Shotton’s passing:
https://www.instagram.com/p/BSCD_fkja2e/
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The Beatles ‘Eight Days A Week’ documentary coming to DVD in November

On November 18, the new documentary The Beatles: Eight Days A Week – The Touring Years directed by Ron Howard will be released on DVD and Blu-Ray, plus a 2-Disc special edition.

UMe Polygram Entertainment The Beatles Eight Days A Week

Photo: Polygram Entertainment and Capitol/UMe.

The film was released last week in theaters for a one-day to one-week run which varied across different cities. After the film, the 30-minute Shea Stadium concert film from 1965 was also shown. This footage from the concert is not listed as being included on the DVD.

As a Beatles fan and journalist who saw the film in theaters, the title ‘The Touring Years’ seemed a bit misleading to me. Instead of focusing mostly on the shows that The Beatles performed, the film provided an overall look at their career during the years they were touring and spent lots of time on The Beatles’ efforts in the recording studio.

While there is not much new information offered in the documentary, the high points of the film are the rare photographs and video clips that were included to illustrate the story of The Beatles’ touring years. For example, in February 1964 during an interview in Washington DC, John tells a reporter his name is “Eric.” The uninformed reporter believes him and introduces Lennon convincingly on camera as “Eric” so that John has to enlighten him and tell him it was just a joke.

Another rare clip is an interview with The Beatles in Sweden circa 1963/64 where George is standing behind John who is seated. George keeps flicking ashes from his cigarette on the top of John’s head and John doesn’t necessarily notice.

There are also insightful interview clips from Paul and Ringo in the present day, as well as other celebrities including Whoopi Goldberg and Elvis Costello.

Another highlight is an interview with Dr. Kitty Oliver, an African-American journalist and author who went to The Beatles’ concert in Jacksonville, Florida as a teenager. The Beatles refused to play to a segregated audience at the Gator Bowl. They had it written into their contract, so the venue agreed to integrate the crowd.

“Here was a band I loved and music I was such a fan of, that seeing The Beatles overrode the idea of walking in to this all-white environment that I had never been in,” Oliver recalls.

Historians believe that this strong stand that The Beatles took in Jacksonville in September 1964 led to an end of segregation in most of the big stadiums in the South. – Trina Yannicos

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Below is a description of content included on the DVD release as stated in the official press release:

Featuring a wealth of specially created supplementary material totaling 100 minutes of extras, the deluxe home entertainment editions contain exclusively-created featurettes for fans to delve even deeper into the band’s world.  Accompanying these are stunning, fully restored full length performances of some of the band’s most iconic tracks including “Twist and Shout” and “She Loves You” recorded at the ABC Theatre, Manchester in 1963 and “Can’t Buy Me Love” at the NME Awards, 1964, in London, bringing the experience of seeing The Beatles in concert fully to life for all fans. A full breakdown follows:

2-disc Special Collector’s Edition (DVD and Blu-Ray) includes:
1 x DVD/Blu-Ray feature disc
+ 1 Bonus Disc (containing approx. 100 minutes of extras, highlighted below)
64 page booklet with an introduction from director Ron Howard, essay by music journalist and author Jon Savage and rare photos from The Beatles’ private archive

Words & Music (24 mins)
John, Paul, George & Ringo reflect on songwriting and the influence of music from their parents’ generation, Lennon/McCartney writing for other artists, The Beatles as individual musicians, and the band as innovators.  Also featuring Howard Goodall, Peter Asher, Simon Schama and Elvis Costello.  The interviews with Paul and Ringo are unseen.

Early Clues To A New Direction (18 mins)
A special feature touching on The Beatles as a collective, the importance of humor, the impact of women on their early lives and songwriting, and the band as a musical movement. Featuring John, Paul, George & Ringo, along with Paul Greengrass, Stephen Stark, Peter Asher, Malcolm Gladwell, Sigourney Weaver, Whoopi Goldberg, Richard Curtis, Elvis Costello and Simon Schama.  Again the interviews with Paul and Ringo are unseen.

Liverpool (11 mins)
The early days in Liverpool of the late 1950’s and early 1960’s are brought vividly to life by those who worked closely with them at that time including fan club secretary Freda Kelly, Allan Williams an early manager, and Leslie Woodhead multi-award winning documentary film director.

The Beatles in Concert (12 mins)
Five great but rarely seen full length performances of The Beatles live in concert – Twist and Shout, She Loves You, Can’t Buy Me Love, You Can’t Do That and Help!

Additional features are:

  • Three Beatles’ Fans
  • Ronnie Spector and The Beatles
  • Shooting A Hard Day’s Night
  • The Beatles in Australia
  • Recollections of Shea Stadium
  • The Beatles in Japan
  • An alternative opening for the film

 

Pre-order: Deluxe Collector’s Edition (2-DVD)

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Paul McCartney, Ringo Starr, director Ron Howard attend 10th anniversary of The Beatles LOVE show in Las Vegas

On July 14, 2016, Paul McCartney, Ringo Starr, Yoko Ono and many more celebrities gathered in Las Vegas to celebrate the 10th anniversary of The Beatles LOVE show by Cirque du Soleil. The audio and visual experience of the show has been revamped and enhanced to give the production a fresh look.

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Ringo Starr, Barbara Bach, Joe Walsh, Marjorie Bach; July 14, 2016; Photo by Trina Yannicos

Giles Martin, who serves as audio producer of the show, said that 10 years ago, “we used a lot of cutting-edge technologies to put The Beatles music into a 2,000-seat space, 7,000 speakers in the room. But the technology now has moved on so much and the actual sound bit of the show we can improve.”
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The updated version of LOVE, which features a cast of 70 performers, includes advanced projection technology, new acrobatic acts, a remixed soundtrack with a new song (“Twist and Shout”), colorful costumes, brand new speakers and state-of-the-art video panels featuring The Beatles’ images.

Paul McCartney, Ringo Starr

Paul and Ringo with the cast of The Beatles LOVE; July 14, 2016; Photo by MJ Kim

This is the fourth time in 10 years that Paul McCartney and Ringo Starr have publicly attended the show together. The first time was when the show opened in 2006, the second time was for the 1st anniversary in 2007, the third time was for the 5th anniversary in 2011, and now in 2016 for the 10th anniversary. Sadly, two members of the Beatles’ family who attended past celebrations have since passed away: George Martin and Cynthia Lennon. (see photos from the LOVE premiere in 2006)

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Paul McCartney and wife, Nancy; July 14, 2016; Photo by Trina Yannicos

Also in attendance was Ron Howard, director of the upcoming documentary, The Beatles: Eight Days a Week – The Touring Years, and he shared some insights on the making of his film which opens in September. He said he has interviewed Paul McCartney and Ringo Starr twice for the movie which documents The Beatles’ years on the road.

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Yoko Ono; July 14, 2016; Photo by Trina Yannicos

“It’s kind of an adventure/survival story in a way,” Ron Howard explained in an exclusive interview on the red carpet. “I really wanted to take the audience inside the experience a little bit. It’s not something that’s just ‘here’s where they went’, it’s how and why things worked the way they did. I hope the added value of letting audiences understand really how intense the pressures were from the outside while they were going through all of this AND continuing to grow as artists in this remarkable way.”
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Giles Martin (left) and director Ron Howard at The Beatles LOVE 10th anniversary celebration; July 14, 2016; Photo by Trina Yannicos

 

When asked if he has always been a Beatles fan, Howard remarked:
“Always a fan, not encyclopedic, not a fanatic. So in a way I’m sort of speaking for that group of people who kind of thinks they know the story, and now I can turn to that crowd, maybe the millennials in particular, and say you know the music, you know the name The Beatles, and you know they were big, but you just have no idea really what the story was and the intensity of that journey – what it meant to culture and what it meant for these guys to live through it.”

Paul and Ringo posted their own photo together on Instagram celebrating the LOVE show’s 10th anniversary:
https://www.instagram.com/p/BH30Qc7AWEX/?taken-by=paulmccartney
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Historical Beatle gems hidden among vast display at GRAMMY Museum’s new fab exhibit

by Trina Yannicos
2 entrance photos*

 

Originally launched in 2014 in New York City to celebrate the 50th anniversary of The Beatles first visit to the U.S., the “Ladies and Gentlemen… The Beatles!” exhibit has finally made its way to the West Coast. The GRAMMY Museum, which curated the exhibit along with the avid memorabilia collectors of Fab Four Exhibits, opened the exhibit in Los Angeles on July 1, and it will be on display through September 5, 2016.

The exhibit focuses on the years 1964 to 1966 and The Beatles’ influence on America. Along with countless big and small memorabilia items are interactive displays, audio interviews, concert video clips and a short film shown in the Clive Davis Theater featuring musicians, including Ringo Starr, Graham Nash, Petula Clark and Ozzy Osbourne, talking about the impact of The Beatles.

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The big ticket items in this exhibit include Ringo’s Abbey Road jacket, Paul McCartney’s Shea Stadium jacket, Ringo’s black suit from A Hard Day’s Night, and the Beatles’ drumhead which was given to Madame Tussauds Wax Museum in London in April 1964 when wax figures of The Beatles were made.
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While we’ve come to expect most rock and roll exhibits to display original instruments and clothing used by the musicians, it’s the little things that make this exhibit shine and showcase its sincerity and authenticity. For example, an original program from the Beatles’ Carnegie Hall concerts on February 12, 1964 lists Paul McCartney’s name incorrectly as “John McCartney.”

Another unique item is the official proclamation when The City of New Orleans declared “Beatles Day in New Orleans” on September 16, 1964, which coincided with The Beatles’ concert there that same day. All four Beatles signed the proclamation.
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The exhibit also includes memorabilia from The Beatles’ early days in Liverpool and Hamburg. A personal letter written by George Harrison in 1962 when The Beatles were in Hamburg showcases the wit and humor of the “quiet” Beatle:
“Thank you for the. We are all still very in Hamburg as the. I started a letter to you on Thursday but it seemed to get a bit ‘you know’, so I have decided to write another.”

Other items of note include the first pair of “granny” glasses that John Lennon ever wore and a lock of John Lennon’s hair given to a fan at a concert in August 1963. John Lennon signed his autograph: “Love from ‘Bald’ John Lennon.”

The exhibit also features a large display of Beatles merchandising products including Beatles coloring books, coin purses and more from 1964 in their original packaging.
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There is much to see at this exhibit. Reserve at least two hours to take it all in. And, on your way out, make sure to get your photo while crossing Abbey Road in London with the help of a virtual scenic backdrop – luckily this photo op doesn’t require dodging the traffic!
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A Look Back at George Harrison’s Hollywood Walk of Fame ceremony

On April 14, 2009, George Harrison was posthumously given a star on the Hollywood Walk of Fame. This was the 2,382nd star dedicated by the Hollywood Chamber of Commerce. The star is located right in front of the Capitol Records building at 1750 Vine Street just a few steps away from the star of Harrison’s former bandmates, John Lennon, and later Ringo Starr (2010) and Paul McCartney (2012).

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Hundreds of Beatles fans gathered to hear tributes to George Harrison given by his friends and family. Eric Idle of Monty Python and Spamalot fame called George “a most remarkable person with a great sense of humor.” Eric Idle wrote and starred in the 1978 Beatles-parody film, All You Need Is Cash featuring The Rutles, which George Harrison not only loved but also made a brief cameo appearance in.

 

Eric Idle joked that he asked Ringo Starr what he should say at the dedication ceremony and Ringo said, “What about me?” referring to the fact that Ringo did not have a star on the Hollywood Walk of Fame at that time. Neither did Paul McCartney, who was in attendance at the ceremony, with then-girlfriend Nancy Shevell. The Beatles as a group were given a star in the 1990s which is located on a special sidewalk corner at the intersection of Hollywood Blvd and La Brea next to Elvis Presley’s star.

 

Tom Hanks, who spoke at the ceremony, described the The Beatles’ impact on America in the 1960s: “That’s when we escaped the doldrums and moved into the future.” He explained that the first guitar George Harrison ever bought when he was a teenager only cost the equivalent of 75 cents. “75 cents made this” he said, pointing to the Capitol Records building, the home of the Beatles’ record label in the U.S.

Other guests in attendance included Tom Petty and Jeff Lynne who were in the Traveling Wilburys with Harrison in the 1980s. Jeff Lynne put an ad in The Hollywood Reporter (April 14, 2009) celebrating George Harrison’s star which said, “George Harrison’s Star, It Just Sounds Right. Love from Jeff Lynne.”

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The Counsel General from Bangladesh was also in attendance bringing attention to the famous “Concert for Bangladesh” that Harrison organized in 1971 to raise money for the relief of refugees in Bangladesh. It was the first major rock concert for charity and raised almost $250,000 at the time. Today, sales of the album and DVD benefit the George Harrison Fund for UNICEF.

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Harrison’s widow, Olivia, and son, Dhani, were both in attendance to accept the award. Olivia described George as “a beautiful, mystical man living in a material world.” She concluded by saying, “George, this day is for you.” And she was right — it was announced at the ceremony that April 14 was proclaimed “George Harrison Day” in Los Angeles.

 

While George Harrison was honored for his musical achievements with The Beatles and as a solo artist, his contributions to the film industry through his company HandMade Films were highlighted by his widow, Olivia Harrison. In an interview with The Hollywood Reporter, Olivia listed George’s film achievements including the 1974 film of the socio-political stage play Little Malcolm starring John Hurt, the cult favorite Withnail & I (1987) and the legendary Life of Brian.

Throughout his post-Beatles career George Harrison shied away from the limelight and preferred to spend time in his garden at his home in England. Olivia remarked, “Although George would probably place his star in a garden, I think the Capitol Tower near one of his closest friends is a pretty good spot.”

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